Faces of Salsa: A Spoken History of the Music. Este artículo no está disponible.
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Idioma: inglés
Editorial: Smithsonian Books, 2003
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- Usado

Librería: Lost Time Books, Brattleboro, VT, Estados Unidos de AmericaLost Time Books
Vendedor de 5 estrellas
Vendedor de IberLibro desde 11 de junio de 2019
No disponible
Tapa blanda
Condición: Usado - Bueno
EUR 27,69
Descripción del artículo del vendedor
Paperback. Remainder mark to top and bottom edge otherwise minimal wear. Interior is pristine. No writing or markings of any kind.
N° de ref. del artículo 081326-15
- Título
- Faces of Salsa: A Spoken History of the Music
- Autor
- Fuentes, Leonardo Padura
- Editorial
- Smithsonian Books
- Año de publicación
- 2003
- Estado
- Very Good
- Encuadernación
- paperback
- Idioma
- inglés
- ISBN 10
- 1588340805
- ISBN 13
- 9781588340801
- Peso del artículo
- 10 onzas
- Dimensiones
- 5x0x8
In this collection of masterfully crafted interviews with some of the most famous creators of the music we call Salsa, prizewining Cuban novelist Leonardo Padura Fuentes explores the genesis of the music, its rise in popularity, its social context, and its artistic legacy. Filled with personal revelations by the musicians, historical detail about their lives and times, and colorful anecdotes about their identities, friendships, and working relationships, the book is a tribute to the artistry and social commitment of some of the most inventive artists of our time.
In his brilliant introduction about the idols of Latin music since the 1920s, and throughout the book, Padura takes up the old dispute about the relationship of salsa to the Cuban music known as son, but the book is not a search for origins. Rather, through his conversations with a group of extraordinarily articulate musicians, he reveals how the aesthetics of salsa filled a cultural void, transforming popular Latin and Caribbean dance music and creating a new generation of musicians who would establish a new model: the salsero, an artist who had embarked upon something his forbearers never did—a conscious project.
In his brilliant introduction about the idols of Latin music since the 1920s, and throughout the book, Padura takes up the old dispute about the relationship of salsa to the Cuban music known as son, but the book is not a search for origins. Rather, through his conversations with a group of extraordinarily articulate musicians, he reveals how the aesthetics of salsa filled a cultural void, transforming popular Latin and Caribbean dance music and creating a new generation of musicians who would establish a new model: the salsero, an artist who had embarked upon something his forbearers never did—a conscious project.
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Acerca del autor
Leonardo Padura Fuentes is a Cuban writer whose works include Máscaras, La Puerta de Alcalá y Otras Cacerías, Vientos de Cuaresma, and Pasada Perfecto.
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