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In. N° de ref. del artículo ria9780814330081_new
The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present. Moving chronologically, the authors examine the roots of today’s blockbuster in the "feature," "special," "superspecial," "roadshow," "epic," and "spectacle" of earlier eras, with special attention to the characteristics of each type of picture.
In the first section, Hall and Neale consider the beginnings of features, specials, and superspecials in American cinema, as the terms came to define not the length of a film but its marketable stars or larger budget. The second section investigates roadshowing as a means of distributing specials and the changes to the roadshow that resulted from the introduction of synchronized sound in the 1920s. In the third section, the authors examine the phenomenon of epics and spectacles that arose from films like Gone with the Wind, Samson and Deliliah, and Spartacus and continues to evolve today in films like Spider-Man and Pearl Harbor. In this section, Hall and Neale consider advances in visual and sound technology and the effects and costs they introduced to the industry.
Scholars of film and television studies as well as readers interested in the history of American moviemaking will enjoy Epics, Spectacles, and Blockbusters.
Acerca del autor: Sheldon Hall is a senior lecturer in stage and screen studies at Sheffield Hallam University and author of Zulu: With Some Guts Behind It - The Making of the Epic Film and co-editor (with John Belton and Steve Neale) of Widescreen Worldwide. Steve Neale is professor of English at the University of Exeter and author and editor of several books, most recently, Genre and Contemporary Hollywood.
Título: Epics, Spectacles, and Blockbusters: A ...
Editorial: Wayne State University Press
Año de publicación: 2010
Encuadernación: Encuadernación de tapa blanda
Condición: New
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G0814330088I3N00
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Paperback. Condición: New. Nº de ref. del artículo: 6666-IUK-9780814330081
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Condición: As New. Unread book in perfect condition. Nº de ref. del artículo: 8299109
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Librería: Rarewaves.com UK, London, Reino Unido
Paperback. Condición: New. This title considers the history of the American blockbuster - the large-scale, high-cost film - as it evolved from the 1890s to today. The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In ""Epics, Spectacles, and Blockbusters: A Hollywood History"", authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present. Moving chronologically, the authors examine the roots of today's blockbuster in the 'feature', 'special', 'superspecial', 'roadshow', 'epic', and 'spectacle' of earlier eras, with special attention to the characteristics of each type of picture. In the first section, Hall and Neale consider the beginnings of features, specials, and superspecials in American cinema, as the terms came to define not the length of a film but its marketable stars or larger budget. The second section investigates roadshowing as a means of distributing specials and the changes to the roadshow that resulted from the introduction of synchronized sound in the 1920s. In the third section, the authors examine the phenomenon of epics and spectacles that arose from films like ""Gone with the Wind"", ""Samson and Deliliah"", and ""Spartacus"" and continues to evolve today in films like ""Spider-Man"" and ""Pearl Harbor"". In this section, Hall and Neale consider advances in visual and sound technology and the effects and costs they introduced to the industry. Scholars of film and television studies as well as readers interested in the history of American moviemaking will enjoy ""Epics, Spectacles, and Blockbusters"". Nº de ref. del artículo: LU-9780814330081
Cantidad disponible: Más de 20 disponibles
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
Condición: As New. Unread book in perfect condition. Nº de ref. del artículo: 8299109
Cantidad disponible: Más de 20 disponibles
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
Paperback or Softback. Condición: New. Epics, Spectacles, and Blockbusters: A Hollywood History. Book. Nº de ref. del artículo: BBS-9780814330081
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Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Paperback. Condición: New. This title considers the history of the American blockbuster - the large-scale, high-cost film - as it evolved from the 1890s to today. The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In ""Epics, Spectacles, and Blockbusters: A Hollywood History"", authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present. Moving chronologically, the authors examine the roots of today's blockbuster in the 'feature', 'special', 'superspecial', 'roadshow', 'epic', and 'spectacle' of earlier eras, with special attention to the characteristics of each type of picture. In the first section, Hall and Neale consider the beginnings of features, specials, and superspecials in American cinema, as the terms came to define not the length of a film but its marketable stars or larger budget. The second section investigates roadshowing as a means of distributing specials and the changes to the roadshow that resulted from the introduction of synchronized sound in the 1920s. In the third section, the authors examine the phenomenon of epics and spectacles that arose from films like ""Gone with the Wind"", ""Samson and Deliliah"", and ""Spartacus"" and continues to evolve today in films like ""Spider-Man"" and ""Pearl Harbor"". In this section, Hall and Neale consider advances in visual and sound technology and the effects and costs they introduced to the industry. Scholars of film and television studies as well as readers interested in the history of American moviemaking will enjoy ""Epics, Spectacles, and Blockbusters"". Nº de ref. del artículo: LU-9780814330081
Cantidad disponible: Más de 20 disponibles