The Effect (Modern Classics). Este artículo no está disponible.
Prebble, Lucy; Luckstar Enterprises
Idioma: inglés
Editorial: Methuen Drama (edition ), 2016
- Tapa blanda
- Usado

Librería: BooksRun, Philadelphia, PA, Estados Unidos de AmericaBooksRun
Vendedor de IberLibro desde 2 de febrero de 2016
Condición: Usado - Bueno
EUR 9,67
Descripción del artículo del vendedor
It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
N° de ref. del artículo 1474272010-8-1
- Título
- The Effect (Modern Classics)
- Autor
- Prebble, Lucy; Luckstar Enterprises
- Editorial
- Methuen Drama (edition )
- Año de publicación
- 2016
- Estado
- Very Good
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 1474272010
- ISBN 13
- 9781474272018
I can tell the difference between who I am and a side effect.
The Effect is a clinical romance. Two young volunteers, Tristan and Connie, agree to take part in a clinical drug trial. Succumbing to the gravitational pull of attraction and love, however, Tristan and Connie manage to throw the trial off-course, much to the frustration of the clinicians involved. This funny, moving and perhaps surprisingly human play explores questions of sanity, neurology and the limits of medicine, alongside ideas of fate, loyalty and the inevitability of physical attraction.
Following on from the critical and commercial success of Enron, The Effect offers a vibrant theatrical exploration into the human brain via the heart. It received its world premiere at the National Theatre's Cottesloe Theatre in November 2012, starring Billie Piper and Jonjo O'Neill.
It is published here in the Modern Classics series alongside an introduction by Miriam Gillinson.
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Acerca del autor
Miriam Gillinson reviews theatre for Time Out and The Arts Desk, and writes about children's theatre for the Guardian. She is a script reader for Sonia Friedman Productions, Playful Productions and United Agents, reads for the Bruntwood Prize and the Susan Smith Blackburn Prize and works as a Quality Assessor for The Arts Council.
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