Early Music February 2008 / "'Verie Sweete and Artificiall': Lorenzo Costa and the Earliest Viols" John Bryan / Hearing John Browne's Motets: Registral Space in the Music of the Eton Choirbook" Fabrice Fitch" / "George Kirbye's Clemens Parody" David Humphreys / "'Clefless' Notation, Counterpoint and the fa-Degree" Stefano Mengozzi / "Readings of Poetry: Readings of Music: Intertextuality in Josquin's "Je me complains de mon amy" Vassiliki Koutsobina / "Would Caccini Approve? A Closer Look at Egerton 2971 and Florid Monody" John Bass / "How Composers Viewed Performers' Additions" Beverly Jerold

Tess Knighton (Editor) / "'Verie Sweete and Artificiall': Lorenzo Costa and the Earliest Viols" John Bryan / Hearing John Browne's Motets: Registral Space in the Music of the Eton Choirbook" Fabrice Fitch" / "George Kirbye's Clemens Parody" David Humphreys / "'Clefless' Notation, Counterpoint and the fa-Degree" Stefano Mengozzi / "Readings of Poetry: Readings of Music: Intertextuality in Josquin's "Je me complains de mon amy" Vassiliki Koutsobina / "Would Caccini Approve? A Closer Look at Egerton 2971 and Florid Monody" John Bass / "How Composers Viewed Performers' Additions" Beverly Jerold

Editorial: Oxford University Press, 2008
Condición: Usado - Bueno Encuadernación de tapa blanda

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Usado - Encuadernación de tapa blanda

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