Paperback. "Dramatic Theory in Spain" is an essential collection of texts that chart the evolution of theatrical principles and aesthetics within the Spanish literary tradition. Edited by H. J. Chaytor, this volume brings together significant treatises, prefaces, and essays from influential figures such as Lope de Vega, Cervantes, and Tirso de Molina, providing a comprehensive overview of how the Spanish stage defined itself during its most vibrant eras.The work focuses heavily on the Siglo de Oro (Golden Age), exploring the tensions between classical Aristotelian rules and the innovative, popular forms that characterized the "comedia nueva." By examining these foundational documents, readers gain insight into the debates surrounding structure, characterization, and the social purpose of drama in early modern Spain. This anthology serves as a vital resource for scholars of Hispanic studies and theater history, offering primary source material that illustrates the philosophical and technical underpinnings of some of the world's most enduring dramatic works.Whether analyzing the defense of artistic freedom or the pragmatic requirements of the public playhouse, "Dramatic Theory in Spain" remains a definitive guide to understanding the intellectual framework that supported the rise of the Spanish national theater.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Detalles bibliogr�ficos

T�tulo: Dramatic Theory in Spain (Paperback)
Editor: Tradd Street Press
Fecha de publicaci�n: 2026
Idioma: Ingl�s
ISBN 10: 1025613678
ISBN 13: 9781025613673
Encuadernaci�n: Paperback
Estado: new

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Sinopsis

"Dramatic Theory in Spain" is an essential collection of texts that chart the evolution of theatrical principles and aesthetics within the Spanish literary tradition. Edited by H. J. Chaytor, this volume brings together significant treatises, prefaces, and essays from influential figures such as Lope de Vega, Cervantes, and Tirso de Molina, providing a comprehensive overview of how the Spanish stage defined itself during its most vibrant eras.

The work focuses heavily on the Siglo de Oro (Golden Age), exploring the tensions between classical Aristotelian rules and the innovative, popular forms that characterized the "comedia nueva." By examining these foundational documents, readers gain insight into the debates surrounding structure, characterization, and the social purpose of drama in early modern Spain. This anthology serves as a vital resource for scholars of Hispanic studies and theater history, offering primary source material that illustrates the philosophical and technical underpinnings of some of the world's most enduring dramatic works.

Whether analyzing the defense of artistic freedom or the pragmatic requirements of the public playhouse, "Dramatic Theory in Spain" remains a definitive guide to understanding the intellectual framework that supported the rise of the Spanish national theater.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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