xi, 308 pp. Enclosed is "Impromptu", an interactive software application, consisting of a CD-Rom and a User's Guide in booklet form. Softcover. LCC: 9911123 Very good condition: on covers: very light fading on edges, and traces of wear.

N� de ref. del art�culo LL08120457

Contactar al vendedor

Denunciar este art�culo

Detalles bibliogr�ficos

T�tulo

Developing Musical Intuitions: A Project-Based Introduction to Making and Understanding Music

Editor

Oxford University Press, New York, New York / Oxford, England

Fecha de publicaci�n

2000

Idioma

Ingl�s

ISBN 10

0195105710

ISBN 13

9780195105711

Encuadernaci�n

Softcover

Cat�logos de vendedores

Ancient Traditions and the Emergence of New Par...

Acerca de

Sinopsis

Written for use as an introductory music fundamentals text or as an elements-based appreciation text, Developing Musical Intuitions is designed to help students become active and engaged music makers---listeners, performers, and creators---by teaching them how to reflect and build upon their own powerful musical intuitions and their existing understanding of musical culture. The book is packaged with an audio CD of listening examples and the groundbreaking software application Impromptu, which enables students to carry out projects in which they discover and build their own understanding of the universe of music.

Cr�ticas

Advance praise for Impromptu From the Foreword by Evan Ziporyn, Massachusetts Institute of Technology: "The games and exercises provided by the Impromptu software are nothing more or less than exercises in self-knowledge....The program is built on musical 'simples, ' Bamberger's term for the children's songs, common rhythms, etc., which are our musical common denominators and the building blocks of musical thought. The program is methodically organized around explorations of the ways in which music is organized: melodic structure, rhythm, and meter. Each set of tasks is designed to be of interest to any musical thinker, from the concertmaster to the grade-schooler. The reason for this is the essential lesson of Bamberger's work: that the depth of our musical thought is not related to the scope of our musical knowledge. We are all musical thinkers, although we use a variety of mental tools to do the work. "You can verify this statement simply by attending to your own thought processes as you work through the book. As you do, questions will continually emerge: Why does this version of this song sound better than that one? Why does this one feel more regular? These questions lead to more questions, and suddenly you realize that tunes you have known one's whole life-tunes that never seemed even remotely interesting-are endlessly fascinating and explorable." Advance praise for Impromptu: From the Foreword by Evan Ziporyn, Massachusetts Institute of Technology: "The games and exercises provided by the Impromptu software are nothing more or less than exercises in self-knowledge....The program is built on musical 'simples, ' Bamberger's term for the children's songs, common rhythms, etc., which are our musical common denominators and the building blocks of musical thought. The program is methodically organized around explorations of the ways in which music is organized: melodic structure, rhythm, and meter. Each set of tasks is designed to be of interest to any musical thinker, from the concertmaster to the grade-schooler. The reason for this is the essential lesson of Bamberger's work: that the depth of our musical thought is not related to the scope of our musical knowledge. We are all musical thinkers, although we use a variety of mental tools to do the work. "You can verify this statement simply by attending to your own th Advance praise for Impromptu: From the Foreword by Evan Ziporyn, Massachusetts Institute of Technology: "The games and exercises provided by the Impromptu software are nothing more or less than exercises in self-knowledge....The program is built on musical 'simples, ' Bamberger's term for the children's songs, common rhythms, etc., which are our musical common denominators and the building blocks of musical thought. The program is methodically organized around explorations of the ways in which music is organized: melodic structure, rhythm, and meter. Each set of tasks is designed to be of interest to any musical thinker, from the concertmaster to the grade-schooler. The reason for this is the essential lesson of Bamberger's work: that the depth of our musical thought is not related to the scope of our musical knowledge. We are all musical thinkers, although we use a variety of mental tools to do the work. "You can verify this statement simply by attending to your own thought processes as you work through the book. As you do, questions will continually emerge: Why does this version of this song sound better than that one? Why does this one feel more regular? These questions lead to more questions, and suddenly you realize that tunes you have known one's whole life-tunes that never seemed even remotely interesting-are endlessly fascinating and explorable." Advance praise for Impromptu: From the Foreword by Evan Ziporyn, Massachusetts Institute of Technology: "The games and exercises provided by the Impromptu software are nothing more or less than exercises in self-knowledge....The program is built on musical 'simples, ' Bamberger's term for the children's songs, common rhythms, etc., which are our musical common denominators and the building blocks of musical thought. The program is methodically organized around explorations of the ways in which music is organized: melodic structure, rhythm, and meter. Each set of tasks is designed to be of interest to any musical thinker, from the concertmaster to the grade-schooler. The reason for this is the essential lesson of Bamberger's work: that the depth of our musical thought is not related to the scope of our musical knowledge. We are all musical thinkers, although we use a variety of mental tools to do the work. "You can verify this statement simply by attending to your own thought processes as you work through the book. As you do, questions will continually emerge: Why does this version of this song sound better than that one? Why does this one feel more regular? These questions lead to more questions, and suddenly you realize that tunes you have known one's whole life-tunes that never seemed even remotely interesting-are endlessly fascinating and explorable." Advance praise for Impromptu: From the Foreword by Evan Ziporyn, Massachusetts Institute of Technology: "The games and exercises provided by the Impromptu software are nothing more or less than exercises in self-knowledge....The program is built on musical 'simples, ' Bamberger's term for the children's songs, common rhythms, etc., which are our musical common denominators and the building blocks of musical thought. The program is methodically organized around explorations of the ways in which music is organized: melodic structure, rhythm, and meter. Each set of tasks is designed to be of interest to any musical thinker, from the concertmaster to the grade-schooler. The reason for this is the essential lesson of Bamberger's work: that the depth of our musical thought is not related to the scope of our musical knowledge. We are all musical thinkers, although we use a variety of mental tools to do the work. "You can verify this statement simply by attending to your own thought processes as you work through the book. As you do, questions will continually emerge: Why does this version of this song sound better than that one? Why does this one feel more regular? These questions lead to more questions, andsuddenly you realize that tunes you have known one's whole life-tunes that never seemed even remotely interesting-are endlessly fascinating and explorable."

"Sobre este t�tulo" puede pertenecer a otra edici�n de este libro.

Descripci�n de la librer�a

Ver la p�gina web de la librer�a

Informaci�n empresarial del vendedor

Andover Books and Antiquities
MA, U.S.A.

Condiciones de venta y env�o

Condiciones de venta

Payment options include credit card, check, money order, bank transfer of funds, and PayPal. *Customers who choose to pay by a Visa, Mastercard, American Express, or JCB credit card should conclude an on-line transaction with abebooks. *Customers who choose to pay by a Discover credit card should place an order with abebooks; Andover Books and Antiquities will process the transaction. *Customers who choose to pay by check or money order should place an order with abebooks, and then send payment ...

M�s informaci�n

Derecho a cancelaci�n

Si eres un consumidor puedes cancelar el presente contrato de acuerdo con lo indicado a continuaci�n. Son consumidores las personas f�sicas que act�en con un prop�sito ajeno a su actividad comercial, empresarial, oficio o profesi�n.

Documento de informaci�n al consumidor y usuario sobre el desistimiento

Derecho de desistimiento:

Tienes derecho a desistir del presente contrato en un plazo de 14 d�as naturales sin necesidad de justificaci�n.

El plazo de desistimiento expirar� a los 14 d�as naturales del d�a en que t� o un tercero que hayas indicado, distinto del transportista, adquiera la posesi�n material del �ltimo bien, componente o pieza.

Para ejercer el derecho de desistimiento, deber�s notificarnos a Andover Books and Antiquities, 373 Salem Street, 01810, Andover, Massachusetts, U.S.A., 1 978 475 7928, de tu decisi�n de desistir del contrato a trav�s de una declaraci�n inequ�voca (por ejemplo, una carta enviada por correo postal, fax o correo electr�nico). Podr�s utilizar el modelo de formulario de desistimiento que figura a continuaci�n, aunque su uso no es obligatorio. Tienes asimismo la opci�n de cumplimentar y enviar electr�nicamente el modelo de formulario de desistimiento o cualquier otra declaraci�n inequ�voca a trav�s de nuestro sitio web a "Mis pedidos" en "Mi cuenta". Si recurres a esta opci�n, te comunicaremos sin demora en un soporte duradero (por ejemplo, por correo electr�nico) la recepci�n de dicho desistimiento.

Para cumplir el plazo de desistimiento, basta con que la comunicaci�n relativa al ejercicio por tu parte de este derecho sea enviada antes de que venza el plazo correspondiente.

Consecuencias del desistimiento:

En caso de desistimiento por tu parte, te devolveremos todos los pagos recibidos de ti, incluidos los gastos de entrega (con la excepci�n de los gastos adicionales resultantes de la elecci�n por tu parte de una modalidad de entrega diferente a la modalidad menos costosa de entrega ordinaria que ofrezcamos) sin ninguna demora indebida y, en todo caso, a m�s tardar 14 d�as naturales a partir de la fecha en la que se nos informes de tu decisi�n de desistir del presente contrato. Procederemos a efectuar dicho reembolso utilizando el mismo medio de pago empleado por ti para la transacci�n inicial, a no ser que hayas dispuesto expresamente lo contrario; en todo caso, no incurrir�s en ning�n gasto como consecuencia del reembolso.

Podremos retenerte el reembolso hasta haber recibido los bienes, o hasta que hayas presentado una prueba de la devoluci�n de los mismos, seg�n qu� condici�n se cumpla primero. Deber�s devolvernos o entregarnos directamente los bienes a Andover Books and Antiquities, Andover Books and Antiquities, 373 Salem Street, 01810, Andover, Massachusetts, U.S.A., 1 978 475 7928, sin ninguna demora indebida y, en cualquier caso, a m�s tardar en el plazo de 14 d�as naturales a partir de la fecha en que nos comuniques tu decisi�n de desistimiento del contrato. Se considerar� cumplido el plazo si efect�as la devoluci�n de los bienes antes de que haya concluido dicho plazo. Deber�s asumir el coste directo de devoluci�n de los bienes. Solo ser�s responsable de la disminuci�n de valor de los bienes resultante de una manipulaci�n distinta a la necesaria para establecer la naturaleza, las caracter�sticas y el funcionamiento de los bienes.

Excepciones al derecho de desistimiento:

La entrega de peri�dicos, publicaciones especializadas o revistas con la excepci�n de contratos de suscripci�n; y
La entrega de contenido digital (incluyendo apps, software digital e-books, MP3, etc.) que no hubiera sido entregado en un medio tangible (por ejemplo: CD o DVD), si al realizar tu pedido has aceptado que podemos proceder al env�o del producto y que no resulta posible su cancelaci�n una vez comienza la entrega.

Modelo de formulario de desistimiento

(S�lo debe cumplimentar y enviar el presente formulario si desea desistir del contrato)

A la atenci�n de: (Andover Books and Antiquities, 373 Salem Street, 01810, Andover, Massachusetts, U.S.A., 1 978 475 7928)

Por la presente le comunico/comunicamos* que desisto de mi/desistimos de nuestro* contrato de venta del siguiente bien/prestaci�n del siguiente servicio*

Pedido el/recibido el*:

Nombre del consumidor y usuario o de los consumidores y usuarios:

Domicilio del consumidor y usuario o de los consumidores y usuarios:

Firma del consumidor y usuario o de los consumidores y usuarios (solo si el presente formulario se presenta en papel):

Fecha:

* Eliminar en su caso

Condiciones de env�o

The Shipping Rates and Speeds that appear with the book records are approximations. Factors such as the size and weight of the book, as well as the country of destination, may necessitate an adjustment to the cost of delivery. The policy of Basileia Books is that the customer pays for the actual cost of postage. The accounting system at abebooks necessitates a surcharge of approximately 13.5 percent above the actual costs. We will continue to offer customers the most desirable and cost-efficient means of delivery, despite the ever-rising prices. Basileia Books ships orders to customers through the United States Postal Service. Other shipping outlets are available upon special request. Among the options are DHL, Federal Express, and the United Parcel Service (UPS). For postage withing the USA, Basileia Books includes the charge for Signature Confirmation in the postage price with each book order. Customers who seek an exception to this policy must do so before finalizing a purchase from Basileia Books. Under no circumstances will Basileia Books be held liable for non-delivery of items that have been received by the Postal Service. Customers who want to insure an item in transit should make a request as part of the book order. In most cases, insurance will necessitate a modest increase in the price of postage. For delivery to destinations outside the USA, the standard method of delivery is First-Class Mail International at the United States Postal Service. International customers should be aware that although this is a reliable method, it does not provide insurance or tracking. In a small number of cases, the book may be delayed in delivery for several weeks or even a few months. International customers who prefer the security of insurance and/or tracking should indicate their preference at the time of placing an order, and Basileia Books will indicate the increased price for postage.

Tarifas de env�o en Estados Unidos de America

Tarifas de env�o en Estados Unidos de America
Cantidad del pedido	De 6 a 10 d�as h�biles	De 3 a 5 d�as h�biles
Primer art�culo	EUR 11.12	EUR 22.24

Los plazos de entrega los establecen los vendedores y var�an seg�n el transportista y la ubicaci�n. Los pedidos que pasan por la aduana pueden sufrir retrasos y los compradores son responsables de los aranceles o tarifas asociadas. Los vendedores pueden ponerse en contacto con usted en relaci�n con cargos adicionales para cubrir cualquier aumento en los costes de env�o de los art�culos.