Design History Reader grapples with the paradox that while historians intentionally craft historical discourse based on collective knowledge, it often remains bound to a singular perspective. This book encourages a pluralistic approach to the teaching and narrating of the history of graphic design, presenting a history that actually reflects the diversity in the classroom and in the profession at large.

Throughout this book, the Western design history canon is challenged through written research, highlighting under-known designers and design movements who deserve representation. In collaboration with Kristen Coogan, the students of History of Graphic Design from Boston University embraced a plural design history pedagogy, multiplying perspectives and bringing their own authentic experiences and lived histories into conversation ― resulting in a range of stories representing both dominant and minority cultures.

The concepts that tie these stories together become a contemporary vision of graphic design history and offer a new way to study, interact with, and perceive the narrative. Design History Reader is a dynamic starting point, open to interpretation and interrogation. It’s not anywhere near being fully representative but, instead, a living archive that will continue to expand as our collective research advances.

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