David Adjaye, Adam Pendleton

Adjaye, David and Adam Pendleton

ISBN 10: 194870143X ISBN 13: 9781948701433

Editorial: Pace Gallery, New York, 2021

Idioma: Ingl�s

Condici�n: Usado Encuadernaci�n de tapa dura

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Descripci�n

silver boards w/ black printing. 226 pgs w/ color, bw illustrations. all edges black. "This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space--whether architectonic or on canvas--and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye's works to the meeting of ink and canvas in Pendleton's studio."--WorldCat. New (sealed in publisher's wrap; may have rubbing to corners, edges etc).

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Detalles bibliogr�ficos

T�tulo

David Adjaye, Adam Pendleton

Editor

Pace Gallery, New York

Fecha de publicaci�n

2021

Idioma

Ingl�s

ISBN 10

194870143X

ISBN 13

9781948701433

Encuadernaci�n

Hardcover

Cat�logos de vendedores

American Artists

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Sinopsis

A dialogue of materials and process, space and language, architecture and art This new volume, designed in collaboration with American artist Adam Pendleton (born 1984) and Ghanaian British artist and architect David Adjaye (born 1966), explores the blurred boundary between art and architecture. Featuring new silkscreen canvases by Pendleton and marble sculptures by Adjaye, this publication brings the artists and their works into conversation. The two collaborators discuss their respective practices and their process of working together on the creation of the exhibition at Pace, as well as notions of history, language, abstraction and space―whether architectonic or on canvas―and how these themes involve and reveal themselves in their work. Images of finished artworks are interspersed with photographs of their production, giving a behind-the-scenes look at process, from the quarrying, cutting and polishing of marble for Adjaye’s works to the meeting of ink and canvas in Pendleton’s studio.

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