Data-Driven 3D Facial Animation systematically describes the important techniques developed over the last ten years or so. Comprehensive in scope, the book provides an up-to-date reference source for those working in the facial animation field. Editor(s): Deng, Zhigang; Neumann, Ulrich. Num Pages: 296 pages, 22 black & white tables, biography. BIC Classification: UGN. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 155 x 16. Weight in Grams: 667. . 2007. Paperback. . . . . Books ship from the US and Ireland.

N� de ref. del art�culo V9781846289064

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Detalles bibliogr�ficos

T�tulo: Data-driven 3D Facial Animation
Editor: Springer London Ltd
Fecha de publicaci�n: 2007
Idioma: Ingl�s
ISBN 10: 1846289068
ISBN 13: 9781846289064
Encuadernaci�n: Encuadernaci�n de tapa blanda
Estado: New

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Sinopsis

This is the first book that specifically and systematically describes the new and popular data-driven facial animation techniques developed in recent years. Although 3D facial animation is used more and more in the entertainment industries, to date there have been very few books that address the techniques involved. Comprehensive in scope, the book covers not only traditional lip-sync (speech animation), but also expressive facial motion, facial gestures, facial modeling, editing and sketching, and facial animation transferring. It provides an up-to-date reference source for academic research and for professionals working in the facial animation field. An edited volume, the book brings together contributions from leading researchers and practitioners working in both academia and in the leading animation studios.

De la contraportada

"Data-Driven 3D Facial Animation" systematically describes the emerging data-driven techniques developed over the last ten years or so. Although data-driven 3D facial animation is used more and more in animation practice, to date there have been very few books that specifically address the techniques involved.

Comprehensive in scope, the book covers not only traditional lip-sync (speech animation), but also expressive facial motion, facial gestures, facial modeling, editing and sketching, and facial animation transferring. It provides an up-to-date reference source for academic research and for professionals working in the facial animation field. An edited volume, the book brings together contributions from leading researchers and practitioners working in both academia and in the leading animation studios.

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