Now appearing for the first time together, three of Sidney Sheldon's number one bestselling novels—The Other Side of Midnight, Rage of Angels, and Bloodline—are featured in this celebratory collection.

The Other Side of Midnight is Sidney Sheldon at his best. This page-turner is full of tortured romantic entanglements, reverses of fortune, thrilling suspense, and ultimate justice. In Paris, Washington, and a fabulous villa in Greece, an innocent American becomes a bewildered, horror-stricken pawn in a game of vengeance and betrayal. She is Catherine Douglas, a woman caught in a web of four lives intertwined by passion as her handsome husband pursues an incredibly beautiful film star . . . and as Constantin Demeris, a legendary Greek tycoon, tightens the strands that control them all.

Rage of Angels features the memorable, mesmerizing heroine Jennifer Parker, a razor-sharp but beautiful attorney on her way up the New York political ladder until the Mafia's schemes win her the hatred of an implacable enemy—and a love more destructive than hate. She journeys into the dangerous, dramatic, and dark world of organized crime and flashbulb-lit courtrooms, where ambitious and ruthless prosecutors begin their climb to power, and she travels to her own personal hell and back again.

Bloodline is one of the best of Sheldon's blockbuster thrillers. Roffe and Sons is a family firm, an international empire filled with desperate, cash-hungry family members. At its head was one of the wealthiest men in the world—a man who has just died in a mysterious accident and left his daughter, Elizabeth, in control of the company. Now as this intelligent, tough, and gorgeous woman dares to save—not sell—Roffe and Sons, she will have to outwit those who secretly want her power . . . and the unknown assassin who wants her life. Bloodline is a sweeping novel of high financial intrigue on three continents, love, murder, danger, and suspense.

The Dark Side of Midnight

HarperCollins Publishers, Inc.

Chapter One

Catherine

Chicago: 1919-1939

Every large city has a distinctive image, a personality that gives it its own special cachet. Chicago in the 1920's was a restless, dynamic giant, crude and without manners, one booted foot still in the ruthless era of the tycoons who helped give birth to it: William B. Ogden and John Wentworth, Cyrus McCormick and George M. Pullman. It was a kingdom that belonged to the Philip Armours and Gustavus Swifts and Marshall Fields. It was the domain of cool professional gangsters like Hymie Weiss and Scarface Al Capone.

One of Catherine Alexander's earliest memories was of her father taking her into a bar with a sawdust-covered floor and swinging her up to the dizzyingly high stool. He ordered an enormous glass of beer for himself and a Green River for her. She was five years old, and she remembered how proud her father was as strangers crowded around to admire her. All the men ordered drinks and her father paid for them. She recalled how she had kept pressing her body against his arm to make sure he was still there. He had only returned to town the night before, and Catherine knew that he would soon leave again. He was a traveling salesman, and he had explained to her that his work took him to distant cities and he had to be away from her and her mother for months at a time so that he could bring back nice presents. Catherine had desperately tried to make a deal with him. If he would stay with her, she would give up the presents. Her father had laughed and said what a precocious child she was and then had left town, and it was six months before she saw him again. During those early years her mother whom she saw every day seemed a vague, shapeless personality, while her father, whom she saw only on brief occasions, was vivid and wonderfully clear. Catherine thought of him as a handsome, laughing man, full of sparkling humor and warm, generous gestures. The occasions when he came home were like holidays, full of treats and presents and surprises.

When Catherine was seven, her father was fired from his job, and their life took on a new pattern. They left Chicago and moved to Gary, Indiana, where he went to work as a salesman in a jewelry store. Catherine was enrolled in her first school. She had a wary, arms-length relationship with the other children and was terrified of her teachers, who misinterpreted her lonely standoffishness as conceit. Her father came home to dinner every night, and for the first time in her life Catherine felt that they were a real family, like other families. On Sunday the three of them would go to Miller Beach and rent horses and ride for an hour or two along the sand dunes. Catherine enjoyed living in Gary, but six months after they moved there, her father lost his job again and they moved to Harvey, a suburb of Chicago. School was already in session, and Catherine was the new girl, shut out from the friendships that had already been formed. She became known as a loner. The children, secure in the safety of their own groups, would come up to the gangly newcomer and ridicule her cruelly.

During the next few years Catherine donned an armor of indifference, which she wore as a shield against the attacks of the other children. When the armor was pierced, she struck back with a trenchant, caustic wit. Her intention was to alienate her tormentors so that they would leave her alone, but it had an unexpectedly different effect. She worked on the school paper, and in her first review about a musical that her classmates had staged, she wrote, "Tommy Belden had a trumpet solo in the second act, but he blew it." The line was widely quoted, and—surprise of surprises—Tommy Belden came up to her in the hall the next day and told Catherine that he thought it was funny.

In English the students were assigned Captain Horatio Hornblower to read. Catherine hated it. Her book report consisted of one sentence: "His barque was worse than his bight," and her teacher, who was a weekend sailor, gave her an "A." Her classmates began to quote her remarks and in a short time she was known as the school wit.

That year Catherine turned fourteen and her body was beginning to show the promise of a ripening woman. She would examine herself in the mirror for hours on end, brooding about how to change the disaster she saw reflected. Inside she was Myrna Loy, driving men mad with her beauty, but her mirror—which was her bitter enemy—showed hopelessly tangled black hair that was impossible to manage, solemn gray eyes, a mouth that seemed to grow wider by the hour and a nose that was slightly turned up. Maybe she wasn't really ugly, she told herself cautiously, but on the other hand no one was going to knock down doors to sign her up as a movie star. Sucking in her cheeks and squinting her eyes sexily she tried to visualize herself as a model. It was depressing. She struck another pose. Eyes open wide, expression eager, a big friendly smile. No use. She wasn't the All-American type either. She wasn't anything. Her body was going to be all right, she dourly supposed, but nothing special. And that, of course, was what she wanted more than anything in the world: to be something special, to be Somebody, to be Remembered, and never, never, never, never, to die.

The summer she was fifteen, Catherine came across Science and Health by Mary Baker Eddy and for the next two weeks she spent an hour a day before her mirror, willing her reflection to become beautiful. At the end of that time the only change she could detect was a new patch of acne on her chin and a pimple on her forehead. She gave up sweets, Mary Baker Eddy and looking in the mirror.

Excerpted from The Dark Side of Midnightby Sidney Sheldon Copyright © 2007 by Sidney Sheldon. Excerpted by permission.
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