Dancing Mind, Minding Dance: Socially Relevant and Personally Resonant Dance Education

Dancing Mind, Minding Dance encompasses a collection of pivotal texts published by scholar and researcher Doug Risner, whose work over the past three decades has emphasized the significance of social relevance and personal resonance in dance education. Drawing upon Risner’s breakthrough research and visionary scholarship, the book contextualizes critical issues of dance making in the rehearsal process, dance curriculum and pedagogy in 21st-century postsecondary dance education, the role of dance teaching artists in schools and community environments, and dance, gender, and sexual identity, especially the feminization of dance and the marginalization of males who dance.

This book concludes with Risner’s prophetic vision for employing reflective practice in order to address social justice and inclusion and humanizing pedagogies in dance and dance education throughout all sectors of dance training and preparation. Beginning with his first book, Stigma and Perseverance in the Lives of Boys Who Dance (2009), Risner has distinguished himself as the leading education researcher, scholar, and practitioner to improve young dancers’ education and training and in humanistic ways. The book will appeal to dance educators and teachers, dance education scholars and researchers, choreographers, parents and care-givers of dance students, and those who work as teaching artists, arts administrators, private sector dance studio directors and teachers, as well as arts education researchers and scholars broadly. The chapters in this book, except for a few, were originally published in various Taylor & Francis journals.

Doug Risner (PhD, MFA) is a distinguished faculty fellow and professor of Dance and directs the MA in Theatre and Dance: Teaching Artistry program in the Maggie Allesee Department of Theatre and Dance at Wayne State University, Detroit, USA. He conducts research in the sociology of dance training and education, gender in dance, curriculum theory and policy, social foundations of dance pedagogy, online learning, and web-based curriculum design. His books include Stigma and Perseverance in the Lives of Boys Who Dance (2009); Hybrid Lives of Teaching Artists in Dance and Theatre Arts: A Critical Reader (2014); Gender, Sexuality and Identity: Critical Issues in Dance Education (2015): Dance and Gender: An Evidence-Based Approach (2017); Dance, Professional Practice, and the Workplace (2020); and Ethical Dilemmas in Dance Education: Case Studies on Humanizing Dance Pedagogy (2020), which received the 2021 NDEO Ruth Lovell Murray Award for Dance Education and the 2021 Susan W. Stinson Book Award. His most recent edited volumes include Dancing Across the Lifespan: Negotiating Age, Place and Purpose (2022) with Pam Musil and Karen Schupp and Masculinity, Intersectionality and Identity: Why Boys (Don’t) Dance (2022) with Beccy Watson.

Jennifer McNamara (MFA) is an assistant professor of Dance at Mercyhurst University, Erie, USA. Following a twenty-year career as a ballet dancer, she was an adjunct professor at Middle Tennessee State University, Murfreesboro, USA, and taught for New Dialect, Metro (Nashville) Parks and Recreation Dance Division, and the School of Nashville Ballet. A certified Pilates instructor, Jennifer explores the relationships between foundational and aesthetic movement choices; she is also an advocate for justice in dance education. She is a past recipient of the Individual Artist Fellowship (Dance) from the Tennessee Arts Commission, has designed and built costumes, and has been published in Arts Education Policy Review and Masculinity, Intersectionality and Identity: Why Boys (Don’t) Dance, edited by Doug Risner and Beccy Watson. Jennifer earned her MFA in Dance from Hollins University, Roanoke, USA.