Dances with Darwin, 1875–1910. Este artículo no está disponible.Dances with Darwin, 1875–1910

Examining the influence of Darwin’s evolutionary theory on French thought, Rae Beth Gordon weaves the history of medical science, ethnology, and popular culture into an exploration of the cultural implications of gesture in dance performances in Parisian café-concerts and music-halls. She illuminates the blurring of racial lines in the representations of the primitive and of nervous pathology that informed dances like the Cake-Walk. These dances with Darwin, she contends, constituted an aesthetic of disorder long before Dada and Surrealism.

Rae Beth Gordon is Professor emerita of French Literature and Cultural Studies, University of Connecticut, Storrs. Author of numerous essays on 19th-century medicine, literature, and aesthetics, she has written Ornament, Fantasy, and Desire in Nineteenth-Century French Literature (1992) and Why the French love Jerry Lewis: From Cabaret to Early French Cinema (2001).