Librería:
Brook Bookstore On Demand, Napoli, NA, Italia
Calificación del vendedor: 3 de 5 estrellas
Vendedor de AbeBooks desde 11 de octubre de 2022
N° de ref. del artículo ZBISF4LQWN
"The Good Story may be every story you write, but the Good Story is also not your story."
Dog Days considers why we tell stories the way we do, and how we might tell them otherwise. Combining memoir and essay, cultural criticism and literary experiment, it begins with a personal trauma-the account of how Emily LaBarge and her family were held hostage during the Christmas holidays of 2009-but looks outwards as much as inwards for answers.
Skilful and controlled, but also searching and febrile, this is a book that unsettles time and narrative, art and imagination, embodying in form the trauma that it describes. Taking in writers and artists from Vivian Gornick to Robert Burton, David Lynch to Sylvia Plath, LaBarge picks apart the structures of narrative forms to ask how it might be possible to tell the "Good Story", and its aftermath, on its own terms.
Acerca del autor:
EMILY LABARGE is a Canadian writer based in London. Her essays and criticism have appeared in Granta, The London Review of Books, Artforum, Bookforum, Frieze, and The Paris Review, amongst others. She is a regular contributor to The New York Times and 4Columns. Dog Days is her first book.
Título: DOG DAYS
Editorial: Pennisula Press
Año de publicación: 2025
Encuadernación: Encuadernación de tapa blanda
Condición: new
Librería: Revaluation Books, Exeter, Reino Unido
Paperback / Softback. Condición: Brand New. 256 pages. 7.80x5.08x0.79 inches. In Stock. Nº de ref. del artículo: __1913512754
Cantidad disponible: 2 disponibles
Librería: Chiron Media, Wallingford, Reino Unido
paperback. Condición: New. Nº de ref. del artículo: 6666-GRD-9781913512750
Cantidad disponible: 1 disponibles
Librería: Rarewaves.com UK, London, Reino Unido
Paperback. Condición: New. "The Good Story may be every story you write, but the Good Story is also not your story." Dog Days considers why we tell stories the way we do, and how we might tell them otherwise. Combining memoir and essay, cultural criticism and literary experiment, it begins with a personal trauma-the account of how Emily LaBarge and her family were held hostage during the Christmas holidays of 2009-but looks outwards as much as inwards for answers. Skilful and controlled, but also searching and febrile, this is a book that unsettles time and narrative, art and imagination, embodying in form the trauma that it describes. Taking in writers and artists from Vivian Gornick to Robert Burton, David Lynch to Sylvia Plath, LaBarge picks apart the structures of narrative forms to ask how it might be possible to tell the "Good Story", and its aftermath, on its own terms. Nº de ref. del artículo: LU-9781913512750
Cantidad disponible: Más de 20 disponibles
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
Condición: New. Nº de ref. del artículo: 50392300-n
Cantidad disponible: Más de 20 disponibles
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days. Nº de ref. del artículo: B9781913512750
Cantidad disponible: Más de 20 disponibles
Librería: Majestic Books, Hounslow, Reino Unido
Condición: New. Nº de ref. del artículo: 408246131
Cantidad disponible: 3 disponibles
Librería: Speedyhen, Hertfordshire, Reino Unido
Condición: NEW. Nº de ref. del artículo: NW9781913512750
Cantidad disponible: 1 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: EB-9781913512750
Cantidad disponible: 15 disponibles
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
Condición: As New. Unread book in perfect condition. Nº de ref. del artículo: 50392300
Cantidad disponible: Más de 20 disponibles
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
Paperback. Condición: New. "The Good Story may be every story you write, but the Good Story is also not your story." Dog Days considers why we tell stories the way we do, and how we might tell them otherwise. Combining memoir and essay, cultural criticism and literary experiment, it begins with a personal trauma-the account of how Emily LaBarge and her family were held hostage during the Christmas holidays of 2009-but looks outwards as much as inwards for answers. Skilful and controlled, but also searching and febrile, this is a book that unsettles time and narrative, art and imagination, embodying in form the trauma that it describes. Taking in writers and artists from Vivian Gornick to Robert Burton, David Lynch to Sylvia Plath, LaBarge picks apart the structures of narrative forms to ask how it might be possible to tell the "Good Story", and its aftermath, on its own terms. Nº de ref. del artículo: LU-9781913512750
Cantidad disponible: 1 disponibles