Cutting and Draping: A Practical Handbook for Upholsterers and Decorators

John W. Stephenson

ISBN 10: 133262166X ISBN 13: 9781332621668

Editorial: Forgotten Books, 2018

Idioma: Ingl�s

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Vendido por Forgotten Books, London, Reino Unido

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Descripci�n

Print on Demand. This book takes on the role of a skilled teacher in the art of decorating your home with an emphasis on upholstering and drapery. For the beginner, it provides an introduction to the techniques and tools needed to make your own window coverings. Experienced decorators will appreciate the advanced insights into sophisticated drapery designs and how to approach them. The author's deep knowledge of fabrics and craftsmanship is evident throughout the 250 plus step-by-step diagrams and illustrations. These will help you create stunning window treatments that complement a variety of home decor styles. Not only will you be able to create beautiful spaces but also save money through detailed guides on accurate measuring, estimating materials, and layouts. This book is filled with inspiring ideas for any decorator, regardless of their experience level, and will become a cherished guide to creating beautiful and sophisticated window dressings. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.

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Detalles bibliogr�ficos

T�tulo

Cutting and Draping: A Practical Handbook for Upholsterers and Decorators

Editor

Forgotten Books

Fecha de publicaci�n

2018

Idioma

Ingl�s

ISBN 10

133262166X

ISBN 13

9781332621668

Encuadernaci�n

Paperback

Estado

New

Tipo de libro

print-on-demand item

Cat�logos de vendedores

Needlework

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Sinopsis

Excerpt from Cutting and Draping

The nature of this treatment is to disguise the piano and give it the effect and usefulness of another piece of furniture. Figure 28 illustrates a popular treatment, the back covered with a curtain of soft fabric Shirred on a rod, and attached to the back of the instrument so that the heading or shirring projects slightly above the top. In making the curtain allow about as much again for fullness (or twice the length of the space to be covered), letting the bottom edge of the curtain hang free or shirr it on a rod similar to the top. To this is added an upholstered seat or bench and a few pillows. If desired a festoon drapery can be added at the top of the curtain with good effect. A decorative panel may be used instead of a cur tain, as illustrated in Figure 29, either with or without a seat, and the drapery made to conform to the style of the panel. The drapery may be made as a part of the panel, as Figure 29 A, or attached separately after the panel is in place. A square or grand piano is prettily treated with a ?at cover, the size and shape of the top trimmed with an overhanging fringe or appliqued edge Of a depth to suit the individual taste. The cover may be made of any medium-weight material of self or composite colorings, but preference should be given to a fabric not easily marked by the ornaments or bric-a-brac. In many cases the designs suitable for an upright piano can be used with good effect on a mantel, Fig ures 23, 24, 25 and 27 of our illustrations possessing this feature to a certain degree. The decoration of a mantel, however, does not present the same difficulties as the decoration of a piano, because there are fewer restrictions to bear in mind, and there is perhaps more danger of overdoing mantel decoration on this account. From the appearance of some of the old-fashioned fireplaces still in existence we would infer that in those days utility and capacity were the first, last and only considerations.

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Descripci�n de la librer�a

Forgotten Books? Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the quality of the aged text.

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