This item is printed on demand - it takes 3-4 days longer - Neuware -Designed as a 'reading guide', this book provides a three-tiered approach to the literary fabric of Cervantes' masterpiece: story, narrators, characters, style and structure. Its three major divisions-The Exemplary Story, The Quixotic Fiction, The Mythical Don Quixote, trace and analyze episode by episode the hero's transformation from a 'clinical' case of literary insanity and chivalric folly, through the artifice of interlocking fictions that sustain his rise to mock in Part I, to mythical status as redemptive hero of social satire in Part II. 272 pp. Englisch.

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Detalles bibliogr�ficos

T�tulo: A Critical Introduction to "Don Quixote"
Editor: Peter Lang Ltd. International Academic Publishers Nov 2003
Fecha de publicaci�n: 2003
Idioma: Ingl�s
ISBN 10: 0820470937
ISBN 13: 9780820470931
Encuadernaci�n: Taschenbuch
Estado: Neu
Dimensiones: 246�mil�metros de ancho por 152 de alto por 15 de largo
Peso: 390 gramos

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Sinopsis

Designed as a 'reading guide', this book provides a three-tiered approach to the literary fabric of Cervantes' masterpiece: story, narrators, characters, style and structure. Its three major divisions-The Exemplary Story, The Quixotic Fiction, The Mythical Don Quixote, trace and analyze episode by episode the hero's transformation from a 'clinical' case of literary insanity and chivalric folly, through the artifice of interlocking fictions that sustain his rise to mock in Part I, to mythical status as redemptive hero of social satire in Part II.

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L. A. Murillo is Professor of Spanish, Emeritus, at the University of California, Berkeley. A native of Pasadena, he served in the U.S. Army Air Force in 1943-1945, earned his B.A. and M.A. degrees at the University of Southern California in Los Angeles, and his doctorate at Harvard University in 1953. Besides his publications as specialist in Spanish literature of the Golden Age and on Cervantes, he has published translations of Jorge Luis Borges and The Cyclical Night, a study of irony in James Joyce and Borges.

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