The Crisis of the Negro Intellectual: A Historical Analysis of the Failure of Black Leadership (New York Review Books Classics). Este artículo no está disponible.
Idioma: inglés
Editorial: NYRB Classics, 2005
- Tapa blanda
- Usado

Librería: Dream Books Co., Denver, CO, Estados Unidos de AmericaDream Books Co.
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N° de ref. del artículo DBV.1590171357.G
- Título
- The Crisis of the Negro Intellectual: A Historical Analysis of the Failure of Black Leadership (New York Review Books Classics)
- Autor
- Cruse, Harold
- Editorial
- NYRB Classics
- Año de publicación
- 2005
- Estado
- good
- Encuadernación
- Encuadernación de tapa blanda
- Idioma
- inglés
- ISBN 10
- 1590171357
- ISBN 13
- 9781590171356
Published in 1967, as the early triumphs of the Civil Rights movement yielded to increasing frustration and violence, The Crisis of the Negro Intellectual electrified a generation of activists and intellectuals.
The product of a lifetime of struggle and reflection, Cruse's book is a singular amalgam of cultural history, passionate disputation, and deeply considered analysis of the relationship between American blacks and American society.
Reviewing black intellectual life from the Harlem Renaissance through the 1960s, Cruse discusses the legacy (and offers memorably acid-edged portraits) of figures such as Paul Robeson, Lorraine Hansberry, and James Baldwin, arguing that their work was marked by a failure to understand the specifically American character of racism in the United States.
This supplies the background to Cruse's controversial critique of both integrationism and black nationalism and to his claim that black Americans will only assume a just place within American life when they develop their own distinctive centers of cultural and economic influence. For Cruse's most important accomplishment may well be his rejection of the clichés of the melting pot in favor of a vision of Americanness as an arena of necessary and vital contention, an open and ongoing struggle.
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Acerca del autor
Stanley Crouch is a columnist, novelist, and essayist. Since 1987 he has served as an artistic consultant at Lincoln Center and is a co-founder of Jazz at Lincoln Center. He is the author of Notes of a Hanging Judge, Don’t the Moon Look Lonesome, The All-American Skin Game, Always in Pursuit, and The Artificial White Man.
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