This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,700grams, ISBN:9780262193542.

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Detalles bibliogr�ficos

T�tulo

The Creative Cognition Approach

Editor

The MIT Press

Fecha de publicaci�n

1997

Idioma

Ingl�s

ISBN 10

026219354X

ISBN 13

9780262193542

Encuadernaci�n

Encuadernaci�n de tapa dura

Estado

Good

Estado de la sobrecubierta

Sobrecubierta no Incluida

Peso

700 gramos

Cat�logos de vendedores

Psychology & Psychiatry

Acerca de

Sinopsis

Mental processes are the essence of creative endeavor. The Creative Cognition Approach extends this particular view of creativity, first proposed and developed by the editors in their earlier book Creative Cognition, to the programs and theoretical views of some of the most prominent researchers in the areas of problem solving, concept formation, and thinking. Chapters cover a wide range of approaches and processes that play a role in creative cognition, from those that have their roots in associationism (the notion that creative ideas are produced incrementally), to the Gestalt point of view (particularly insight), to current computational approaches. Each chapter deals with central issues in cognition and creativity, and many consider new ways in which creativity can be studied under controlled conditions.

The Creative Cognition Approach begins with a new look at an ancient subject, dreams. It then takes up intuition and insight from a contemporary cognitive perspective, and the importance of using prior knowledge in the incremental view of creative problem solving, which is contrasted with the importance of various forms of fixation and sudden insight. Studies are presented that provide new methods for distinguishing insight problem solving from analytic problem solving, and a general description of recall, problem solving, and creative thinking is provided along with relevant experimental evidence.

Numerous laboratory studies of creative idea generation are described that reveal the conceptual structures that give rise to imaginative thinking. Visual representations are considered in the context of memory distortions, and in the use of diagrams in scientific discovery. Models that help clarify the relation between comprehension and creativity are discussed, and a novel integration of ideas (primary and secondary process thinking, conditioning, genetic algorithms, chaos theory, the thermodynamics of crystallography) are brought together in a connectionist framework. A multivariate investment approach is used to study creative performance, and criteria for assessing and enhancing creative realism are detailed.

A Bradford Book

Rese�a del editor

Mental processes are the essence of creative endeavour. This text extends this particular view of creativity, first proposed and developed by the editors in their earlier book "Creative Cognition", to the programmes and theoretical views of some of the most prominent researchers in the areas of problem solving, concept formation, and thinking. Chapters cover a wide range of approaches and processes that play a role in creative cognition, from those that have their roots in associationism (the notion that creative ideas are produced incrementally), through the Gestalt point of view (particularly insight), to current computational approaches. Each chapter deals with central issues in cognition and creativity, and many consider new ways in which creativity can be studied under controlled conditions. This text begins with an analysis of dreams. It then takes up intuition and insight from a contemporary cognitive perspective, and the importance of using prior knowledge in the incremental view of creative problem solving, which is contrasted with the importance of various forms of fixation and sudden insight. Studies are presented that provide new methods for distinguishing insight problem solving from analytic problem solving, and a general description of recall, problem solving and creative thinking is provided along with relevant experimental evidence. Numerous laboratory studies of creative idea generation are described that reveal the conceptual structures that give rise to imaginative thinking. Visual representations are considered in the context of memory distortions, and in the use of diagrams in scientific discovery. Models that help clarify the relation between comprehension and creativity are discussed and a novel integration of ideas (primary and secondary process thinking, conditioning, genetic algorithms, chaos theory and the thermodynamics of crystallography) are brought together in a connectionist framework. A multivariate investment approach is used to study creative performance, and criteria for assessing and enhancing creative realism are detailed.

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