Craft of Musical Composition: Book Two, Exercises in Two Part Writing. Este artículo no está disponible.
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Idioma: inglés
Editorial: Schott Japan, 1941
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- Nuevo
Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Vendedor de IberLibro desde 6 de enero de 2003
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EUR 41,34
Descripción del artículo del vendedor
160 pages. 8.75x5.75x0.50 inches. In Stock.
N° de ref. del artículo 0901938416
- Título
- Craft of Musical Composition: Book Two, Exercises in Two Part Writing
- Autor
- Paul Hindemith
- Editorial
- Schott Japan
- Año de publicación
- 1941
- Estado
- Brand New
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 0901938416
- ISBN 13
- 9780901938411
- Peso del artículo
- 0,27 kilogramos
- Serie
- Libro 2 de 2: The Craft of Musical Composition
(Schott). Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Preface * Construction of the Simplest One-Voice Melodic Patterns * Beginning of Two-Voice Setting * Elaborated Melody (Auxiliary or Teturning Tones, Passing Tones) * Elaborated Melody (Continuation) * Principles of Melodic Construction * Elaborated Melody (Conclusion) * Tonal Higher-Units * Tonality of the Melodies * Elaboration of the Melody Model * Free Two-Voice Setting I and II
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
(Schott). Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Preface * Construction of the Simplest One-Voice Melodic Patterns * Beginning of Two-Voice Setting * Elaborated Melody (Auxiliary or Teturning Tones, Passing Tones) * Elaborated Melody (Continuation) * Principles of Melodic Construction * Elaborated Melody (Conclusion) * Tonal Higher-Units * Tonality of the Melodies * Elaboration of the Melody Model * Free Two-Voice Setting I and II
“Acerca de” puede pertenecer a otra edición de este título.
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