Counterpunch: Making Type in the Sixteenth Century, Designing Typefaces Now

Descripción:

Minor wear to corners, single very faint spine crease. 1996 Trade Paperback. 191 pp. Counterpunch is both an explanation of the 16th-century method ofcutting metal type and an impassioned plea for contemporary designers to incorporate the lessons of history as a means of creating typography in our digital age. Smeijers sees the counterpunch technique as essential for ensuring the regularity of form, repeatability, and speed of production necessary for rational design. Smeijers traces the history of letterform design to discover how technique influenced the shape of type, whether the metal punches of the past or today's computer-generated forms. Counterpunch is generouslyillustrated with drawings by the author, examples of early type specimens, and detailed photographs of punches. N° de ref. del artículo 2347980

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Sinopsis:

Reseña del editor: Counterpunch is both an explanation of the 16th-century method ofcutting metal type and an impassioned plea for contemporary designers to incorporate the lessons of history as a means of creating typography in our digital age. Smeijers sees the counterpunch technique as essential for ensuring the regularity of form, repeatability, and speed of production necessary for rational design.

Smeijers traces the history of letterform design to discover how technique influenced the shape of type, whether the metal punches of the past or today's computer-generated forms. Counterpunch is generouslyillustrated with drawings by the author, examples of early type specimens, and detailed photographs of punches.