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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 30,15
Cantidad disponible: Más de 20 disponibles
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New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
N° de ref. del artículo L1-9781943390489
- Título
- Counterfeit Conspiracies
- Autor
- Ames, Ritter
- Editorial
- Henery Press
- Año de publicación
- 2016
- Estado
- New
- Encuadernación
- HRD
- Idioma
- inglés
- ISBN 10
- 1943390487
- ISBN 13
- 9781943390489
- Peso del artículo
- 499 gramos
- Serie
- Libro 1 de 5: A Bodies of Art Mystery
“Sinopsis” puede pertenecer a otra edición de este título.
Fragmento. © Reproducción autorizada. Todos los derechos reservados.
Counterfeit Conspiracies
A Bodies of Art Mystery
By Ritter AmesHenery Press
All rights reserved.
Clouds shrouded the moon. The Dobermans, Zeus and Apollo, snoozed by the rose bushes after devouring the tasty treat I had offered. Waves crashed in the distance and gave the crisp sea air a taste and smell of salt spray. The estate's showplace lawn ended a hundred yards away at a private beach.
Like my previous visit, I wore head-to-toe black. For this jaunt, however, I hadn't donned the ebony-beaded Vera Wang halter gown and Jimmy Choo stilettos I sported the last time. No, for the current foray, my Lycra garb more closely resembled Catwoman with my blonde hair hidden under a dark hood. Night vision goggles finished off the ensemble. The difference between arriving invited versus an incognito — and illegal — entrance. I pulled up my turtleneck to cover the lower part of my face and fitted night vision goggles over my eyes.
As I slipped through the mansion's side door, the left wall security pad flashed. I patted the ring of leather pouches attached to my belt and removed a cute little gizmo I'd picked up in Zurich that resembled a garage door opener. Only this handy gadget decoded electronic security systems, rendering them harmless. The tiny warning whine never had a chance to turn into a scream; my device made friends and invited us to enter.
I slipped down the rear hall and up the staircase my research had uncovered in a back issue of Architectural Digest. At the upper landing, infrared lasers protected the area from unwelcome visitors. I opened another pouch, withdrew a small, specially formulated aerosol can, and sprayed in a sweeping pattern. As the particles fell, laser lines were revealed in vivid detail. Seconds later, I'd picked the lock on the turret gallery door.
The last time I stood in the gallery the master of the house provided a guided tour and made a blatant pass beneath the gaze of a Dutch Master. My ability to deflect the Lothario took grace and diplomacy, plus restraint to curb the strong desire to disable his favorite body part. Still, the event had been worth the effort. A six-month quest was over, and I had found my Holy Grail of paintings.
"My father started this collection," the slimy billionaire had bragged. "He made purchases while stationed in Europe in the mid-1940s. I added to the works and specially constructed this temperature-controlled castle safe room."
On this return visit — my acquisition finale — I slid into the darkened gallery. The circular space, lit only by the minimal luminosity filtering through a half-dozen narrow arched windows, allowed my shadow to mix with those already in residence. Night vision goggles allowed the glorious set of Rembrandts and French Impressionists to glow alongside the beauty I came to liberate.
It was a vibrant seascape, circa 1821, and a breathtaking scene of energy and clear passion. A little known work by a well-respected artist, which had been cherished by the family of its previous owner before eventually falling into the hands of the billionaire's father. Gazing upon the work, I could almost hear the buoy bell ringing in the distance, but the room's current illumination left the scene too dark to see beyond the receding foamy water. I shivered as if the wind picked up; the painting was that powerful.
I heard a noise. A human-moving noise.
I had to hurry. I slipped a blade from my belt and ran it along the frame's edge.
The moment the canvas was free, I heard the master of the house bark, "What are you doing?"
I spun to find him standing behind me. Holding his gaze, I sheathed my knife and dug into another pouch, then threw a capped vial into the darkness between myself and potential capture. The glass broke, and when the chemicals inside hit the air, a dense smoke obscured all vision. But I had already calculated the distance to the nearest window, moved to it, and affixed a suction cup with a braided nylon line to the wall. The painting protected in one hand, my remaining gloved fist, now fitted with brass knuckles, shattered the narrow pane. I slid through the turret's slit window, taking a few shards of glass along for the ride. Then I rappelled down the rough stone wall to the manicured lawn.
"Zeus! Apollo! Robbery! Attack!" my impotent enemy screamed.
Next morning, the painting and I slipped into the back of Greg's shop for the new frame constructed per my specifications. A close facsimile to photos, and infinitely better than the garish gold number that restrained the seascape during its turret imprisonment, the burnished brass frame even evoked a nautical theme that conjured the look of a spyglass.
I changed into blue coveralls and left his shop with the newly framed painting wrapped in brown paper. Magnetic signs attached to my van implied a courier service, as did the faked breast pocket insignia on my uniform. The drive to Mrs. Lebowitz's tiny home was quick.
"Yes?" she said, answering the door. A Holocaust survivor, the only one in her family to make it out of Europe alive, she was a child when the Allies freed her from Auschwitz.
My brown-wrapped package once graced her grandmother's dining room. Before it was stolen by Nazis and purchased with fictionalized provenance by my adversary's father. One of my pro bono projects to not only return the art to its true owner, but to insure masterpieces such as this one did not get locked away from public sight.
"Mrs. Lebowitz, I have a very special delivery."
Eighteen hours and one chartered jet flight to Italy later, I was still running on adrenalin as I played the part of an art world socialite representing the New York based Beacham Foundation. Easy enough, since I'd perfected the role over the last five years, except that nothing was going right tonight.
"A quick and easy pickup," Max, my boss, had told me. "Everything is taken care of. Don't worry."
It was another black-tie affair with nothing more to go on than a name and small photo that Nico, my research wizard, had slipped me earlier with a flute of Dom Pérignon. Not a perfect method but it worked for us. As the foundation's leading art recover expert my life was pretty much a series of different hotel rooms every week. Tonight's event was one of a series of smaller jobs directing me to the person who held an art object I needed to return to the person or institution that had true ownership. Mrs. Lebowitz's job had been a rushed opportunity when I had little choice, since I'd not only learned the painting's location, but also information regarding a potential sale in the works. On the other hand, this evening's pickup at another glittery party was "my day job."
Despite Max's assurances, things began tanking with a flourish before I'd even arrived. First, I'd received a bogus text with driving instructions that sent me in the wrong direction. Once I'd found the correct location, I went in search of my objective in the early meet-and-greet stages of the party. Our contact in the photo was nowhere to be found, despite my best efforts in searching this extensive castillo. Finally, and probably the most disturbing after all that had gone wrong, I'd noticed one of the attendees seemed a bit too interested in me. I'd dodged him once in the entry, again in the ballroom. And here he was again. Churning through the crowd like a heat-seeking missile. A Rhett Butler wannabe in Armani. There was a canniness to the way he looked at me that said I was an assignment instead of a prospective assignation.
I tried to figure which camp he fit into, but got nada. With so many players in the art game, it was hard to keep everyone straight, both above and below ground. But a new American would have stayed in my memory, especially a tall male one with a deep Southern accent. Was it simple egoism, or did he work for someone plotting against me? My money lay on the latter. Especially after the diverting text.
He blocked my way. "How 'bout we take a late night stroll outside? A lil birdie tol' me the air on this Italian bay is soft as warm satin slidin' over your skin."
Disregarding my first impulse, which would have left him with a broken nose, I kept my breathing and temper at even levels. I needed to find out what his game really was — but not now.
"Why don't you ask that lil ol' birdie to join you?" Did the bogus text come from Mr. Wonderful, here? The man who had paid me too much attention to me all evening? My palms were damp as I ran them down my black sheath, ostensibly to smooth the material around my hips, but actually to dry my sweating palms.
"I'm afraid that lil birdie has moved on to bigger and better things." One of his strides halved the distance between us. "You know, honey, while gentlemanly manners forbid I refer to a lady by anything other than beautiful, I must say you're looking very pale at this moment, even for a natural blonde, Miss ..."
Miss None of Your Business! But I wasn't fooled. I saw the intelligence behind those teal eyes. He knew I was Laurel Beacham. Hell, he probably knew my middle name was Iris and I'd streaked through the Cornell library freshman year. I didn't know how he knew — just that he did. I also knew anger had replaced any paleness on my face with a bright blush.
"I'm sorry, I don't feel well," I lied, turning before he could stop me. I strode quickly down a hall, relieved when a discreet lavatory door offered refuge.
I took a couple of deep breaths, regaining my composure. Though, as I looked around the lavatory, that composure quickly died.
A mosaic-tile wall separated the toilet from the lavish dressing salon. A pair of wingtips peeked from behind the wall at an awkward angle. I hurried around the wall and stopped short.
There was no mistaking him. Propped on the john was the man from the photo who I was supposed to meet. Half of his handlebar moustache was jaggedly slashed and discarded on the floor, while blood from a gash at his throat spilled down his round belly and onto the cushioned turquoise seat.
Even as nausea hit, my mind ticked over the possibilities. From the look of things, he had been dead only a few minutes. No blood trail, so he'd been killed where he sat.
I frisked him, careful not to touch skin as I explored bulges that could be the seventeenth-century snuffbox I'd been sent to recover, but the search proved fruitless. Something wasn't right. The snuffbox, though a valuable art object, didn't warrant taking the man's life. I needed to get somewhere safe and call Max, let him handle what had obviously become a complicated job. That's why he made the big bucks. Too many slipups already, and I needed to move quickly before I lost my nerve. The subliminal message all night seemed to intentionally keep me one step behind the objective. Leaving me to wonder what might have happened if I had gotten my hands on the snuffbox.
Straightening, I went to the sink and washed my hands. Twice. This party was definitely over. Time to find Nico and get both of us out of there.
Black ties and dazzling dresses swirled around the ballroom to kaleidoscopic effect. Still touched by shock, I marveled a moment at what crystal chandeliers did for precious gems and designer signatures. The international cast comprising the guest list had once made this job interesting, but now they just hindered my progress. I prayed Nico hadn't slid off with one of the real hired help for an assignation — his modus operandi when his phase of the work was completed. I couldn't face another systematic exploration of the Italianate estate's gold leaf, fine tapestries and Carrera marble.
I took a long cleansing breath, reminded my nerves to stay in check, and spotted Nico's dark curly head. Sans tray, he sported a tuxedo jacket obviously cached for ulterior purposes and stood chatting up an Yves Saint Laurent model known to the rags as a poseur. Nico didn't care. He had other uses in mind for her physical talents.
"The lights are very bright in here," I remarked, joining the couple.
Nico's eyes narrowed at what my words signaled. "Now?"
"Yes, they hurt my eyes."
Miss Poseur giggled. "Essayez de lunettes de soleil."
Sunglasses in a ballroom. She was a bright one. Nico gave a resigned shrug and moved away.
A circulating waiter offered champagne. I grabbed a flute to better blend into the relaxed crowd.
My arm jerked, hit from behind, and I watched, helpless, as the narrow glass arced in mid-air, then shattered on the marble floor. Icy shards narrowly missed the exposed heel of a delicately shod duchess. A waiter dashed toward us to pick up the sharp pieces. I could not believe this evening.
"I'm so sorry ..." I started to tell the duchess. But my words dropped off as whoever had bumped my arm suddenly had a hand at my waist. I froze, the hair on the back of my neck rising as I turned to face him. Mr. Rhett Wannabe. Again.
The duchess gave me a cool smile. Her dismissive gaze skipped over my shoulder and softened, her features donning a flirtatious mask at the man behind me. He leaned in and murmured apologies into her ear, causing her to giggle like a schoolgirl.
I didn't know which made me madder, his inescapable grip or the way this "Southern gentleman" both restrained and ignored me.
"Do you mind?" I spoke to Teal Eyes between clenched teeth. Creating a scene was out of the question. This job demanded a low-key persona.
But he still ignored me, continuing to converse in perfectly accented Parisian French.
With a gay laugh, the duchess raised a sparkling hand to pat his cheek and turned away, never acknowledging I was even in the ballroom. My inner child felt extremely slighted.
Before I could twist free, his other hand vised on my right arm and steered me toward the two-story glass doors that led to an elegant stone balcony.
"Let's go out on the terrace." Teal Eyes lifted a jet eyebrow in a Clark Gable gesture. "The lights against the dark sea should be lovely. Don't you think?"
"Does it really matter what I think?"
"Glad you agree."
Nico was a step behind us. I gave him a slight shake of my head. While my Southern Charmer was clearly not what he seemed, if I ran now, too many questions would remain unanswered. Who was he? Who did he work for? Had he killed my contact? I knew I needed to get out of there before the dead man in the lavatory was found, but I didn't know how worried I should be about Mr. Teal Eyes. And this might be my best chance to get a little background on the man. It was becoming clear he was on someone's payroll. No one in my business made himself this obvious without a reason.
Nico stood back while I obediently followed Southern Charm's lead. Strains of Isham Jones's and Gus Kahn's "It Had to Be You," my late grandfather's favorite song, wafted overhead, continuing a pattern of music for the evening as varied as the guest list. Only minutes before, the crowd had been doing its best Mick Jagger impersonations to a pounding interpretation of "Honky Tonk Woman."
Any other time I would have been enjoying the cosmopolitan crowd gathered to raise money for the latest Italian restoration effort. International wheeler-dealers, like my late grandfather, appreciated the historic value of the old artists. Contributing a portion of the night's "winnings" was a small price to pay for the honor of seeing family names on appropriate plaques.
Of course, the loss of said family fortune by a father who bet on anything that moved meant I had to work for a living. Something that raised eyebrows in "our crowd." Hence, getting my name on the guest list meant more than just wrangling an invitation.
The terrace was void of other patrons as we approached. Better for the inquisition I had in mind, but also easier to end up like my unfortunate contact. Not for the first time that night, I cursed the fact that my Giorgio couture was not designed to conceal a .38.
"Is this dogged persistence the line you usually take? The only way you can get a lady to yourself?" I opened.
"A lady would have been much more diplomatic when she rejected my advances." He took me near the edge of the terrace, and as far as possible from any eavesdropping guests. Nothing like great wealth to bring out the nosiness in people.
"So you recognized the rejections for what they were, but kept advancing," I responded.
"All I did was strike up a conversation."
(Continues...)
Excerpted from Counterfeit Conspiracies by Ritter Ames. Copyright © 2015 Ritter Ames. Excerpted by permission of Henery Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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COLLECTION:
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We may also use your personal data in the following situations, which are likely to be far less common:
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We will only use your personal data when the law allows us to. Most commonly, we will use your personal data in the following circumstances:
In performance of a contract with you; and/or
compliance with a legal obligation; and/or
vital interests of the data subject; and/or
where it is necessary for our legitimate interests (or those of a third party) and your interests and fundamental rights do not override those interests.
We may also use your personal data in the following situations, which are likely to be less common:
where we need to protect your interests (or someone else’s interests);
where it is needed in the public interest or for official purposes.
In respect of all disclosures of personal data, we will only share the personal information which is necessary for the particular purpose for which it is provided, or where we have another legitimate interest in doing so, and we will ensure that the personal data is appropriately protected.
In respect of special categories of personal data, we may process this in the following circumstances:
in limited circumstances with your explicit written consent; and/or
where we need to carry out our legal obligations and in line with our policies; and/or
where it is needed in the public interest (such as for equal opportunities monitoring or in relation to our occupational pension scheme), and in line with our policies; and/or
where it is needed to assess your working capacity on health grounds, subject to appropriate confidentiality safeguards.
Less commonly, we may process this type of information where it is needed in relation to legal claims or where it is needed to protect your (or someone else’s) interests and you are not capable of giving your consent, or where you have already made the information public. We may also process such information about our people (or former people) in the course of our legitimate business activities with the appropriate safeguards.
The special categories of personal data may be used in the following ways:
in relation to leaves of absence, to comply with employment and other laws;
in relation to your physical or mental health, or disability status, to ensure your health and safety in the workplace and to assess your fitness to work, to monitor, manage and administer benefits and absences;
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Personal data may be transferred to service providers who support the operation of our business (such as payroll service providers), to other third parties reasonably necessary in the conduct of our business (including insurers, professional advisors, regulators). These third parties may be acting as processor, or controller of personal data in their own right.
In respect of all disclosures of personal data, we will only share the personal information which is necessary for the particular purpose for which it is provided, or where we have another legitimate interest in doing so, and we will ensure that the personal data is appropriately protected.
RETENTION PERIOD:
We will keep personal data only for as long as is necessary to fulfil the purposes for which we collected it, including for the purposes of satisfying any legal, accounting or reporting requirements. We will normally keep personal data of applicants who we do not employ for six months after we receive it.
We will keep personal data of employees throughout your employment and normally for a minimum of six years after your employment ends.
Changes to your personal data
It is very important that the personal information that we hold about you is accurate and current. Please tell us if your personal information changes during your relationship with us.
Data Security
We have put in place measures to prevent your personal data from being accidentally lost, used or accessed in an unauthorised way, altered or disclosed. In addition, we limit access to your personal data to those of our people and other third parties who have a business need to know. They will only process your personal data on our instructions and where they have agreed to treat the information confidentially and to keep it secure. We have put in place procedures to deal with any suspected data security breach and will notify you and the ICO of a suspected breach where we are legally required to do so.
Where we store your personal data
We principally store data, both electronically and on file, at our office.
Personal data may be transferred outside of the EEA by processors acting on our behalf. For transfers to countries not considered adequate by the EC, we will ensure that personal data is adequately protected, as required by the GDPR. This would include by use of the Standard Contractual Clauses adopted by the EC to protect personal data.
Your rights
Under certain circumstances, you have the right by law to request:
access to your personal data. This enables you to ask to receive a copy of the personal data that we hold about you and to check that we are lawfully processing it.
correction of the personal data that we hold about you.
erasure of your personal data.
object to processing of your personal data where we are relying on our legitimate interest and there is something about your particular situation which makes you want to object to processing on this ground. You also have the right to object where we are processing your personal information for direct marketing purposes.
restriction of processing of your personal data.
transfer of your personal data to another party.
Links from our website
Our website may, from time to time, contain links to and from the websites of third parties that we permit to make such links. If you follow a link to any of these websites, please note that these websites have their own privacy policies and that we do not accept any responsibility or liability for these policies. We recommend that you check these policies before you submit any personal data to these websites.
CHANGES TO THIS PRIVACY POLICY
Any changes we may make to our privacy policy in the future will be posted on our website, so please ensure that you are viewing the correct version.
Please contact us if you have any questions, comments or requests regarding this Privacy Policy.
Last amended May 2021.