nach der Bestellung gedruckt Neuware - Printed after ordering - At the end of the 19th century, perhaps every man wanted to be Arthur Conan Doyle. He had written historical novels, short stories of horror and the supernatural; and displayed huge energy and talent in a variety of fields. He was a fine cricketer (he once took the wicket of the great WC Grace); played football, rugby and golf. He practiced as a doctor; campaigned for underdogs, introduced skis to Switzerland; and knew both Harry Houdini and Oscar Wilde. He was an adventurer, a controversialist, war reporter and knight of the realm. But most famously of all, he had created Sherlock Holmes, the world's most famous detective - based on his former medical professor, Joseph Bell. All in all, Doyle was a Boy's Own dream.Yet for Sir Arthur Conan Doyle, all such achievements paled into significance when set against his commitment to spiritualism. Although interested in the subject for many years, he publicly converted to the cause around time of the First World War - much to many people's amazement: 'Sir Arthur Conan Doyle has many striking characteristics,' wrote Ruth Brandon. 'He is gigantically tall and strong. He is a gifted story teller. He is a man of strong opinions and considerable political influence. But perhaps the most extraordinary thing about him is the combination of all the attributes of worldly success with an almost child-like literalness and credulity of mind, manifested particularly in relation to spiritualism.''Conversations with Conan Doyle' is an imagined conversation with this remarkable figure. But while the conversation is imagined, Doyle's words are not; they are all authentically his. 'For many, Conan Doyle's commitment to spiritualism is an embarrassing aberration,' says Simon Parke. 'They want him to go back and just be the creator of Sherlock Holmes. But people don't fit into boxes, and Doyle certainly doesn't! So I want people to meet the man, hear him speak - and then make up their own minds. He's often passionate; but never dull.'.

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Detalles bibliogr�ficos

T�tulo: Conversations with Arthur Conan Doyle
Editor: White Crow Books
Fecha de publicaci�n: 2010
Idioma: Ingl�s
ISBN 10: 1907355804
ISBN 13: 9781907355806
Encuadernaci�n: Taschenbuch
Estado: Neu
Dimensiones: 203�mil�metros de ancho por 127 de alto por 8 de largo
Peso: 159 gramos

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Sinopsis

At the end of the 19th century, perhaps every man wanted to be Arthur Conan Doyle. He had written historical novels, short stories of horror and the supernatural; and displayed huge energy and talent in a variety of fields. He was a fine cricketer (he once took the wicket of the great WC Grace); played football, rugby and golf. He practiced as a doctor; campaigned for underdogs, introduced skis to Switzerland; and knew both Harry Houdini and Oscar Wilde. He was an adventurer, a controversialist, war reporter and knight of the realm. But most famously of all, he had created Sherlock Holmes, the world’s most famous detective - based on his former medical professor, Joseph Bell. All in all, Doyle was a Boy’s Own dream.Yet for Sir Arthur Conan Doyle, all such achievements paled into significance when set against his commitment to spiritualism. Although interested in the subject for many years, he publicly converted to the cause around time of the First World War - much to many people’s amazement: ’Sir Arthur Conan Doyle has many striking characteristics,’ wrote Ruth Brandon. ’He is gigantically tall and strong. He is a gifted story teller. He is a man of strong opinions and considerable political influence. But perhaps the most extraordinary thing about him is the combination of all the attributes of worldly success with an almost child-like literalness and credulity of mind, manifested particularly in relation to spiritualism.’ ’Conversations with Conan Doyle’ is an imagined conversation with this remarkable figure. But while the conversation is imagined, Doyle’s words are not; they are all authentically his. ’For many, Conan Doyle’s commitment to spiritualism is an embarrassing aberration,’ says Simon Parke. ’They want him to go back and just be the creator of Sherlock Holmes. But people don’t fit into boxes, and Doyle certainly doesn’t! So I want people to meet the man, hear him speak - and then make up their own minds. He’s often passionate; but never dull.’

Cr�ticas

THE NEW YORKER August 30th 2010 SIMON PARKE SPEAKS WITH THE DEAD Book trailers-the low-budget previews modelled on those used by the film industry-have quickly grown tiresome. They're never very interesting, often overly impressionistic and pretentious, and rarely rise above the level of those silly historical reA"nactments you see on cable. They might get better over time, or die out; either is preferable to their current state. An exception, though, are the finely wrought previews for Simon Parke's Conversations with - A" biographies, published by White Crow Books. In this series, Parke bypasses the more quotidian aspects of historical biography by conducting interviewsA" with his subjects-Jesus, Meister Eckhart, Arthur Conan Doyle, Vincent van Gogh, and Leo Tolstoy-with the answers coming from their published writings. The trailers are stagey-with Parke and the actor playing his subject shown in the recording studio while a musical score soars behind their voices-yet the interviews nonetheless feel natural. Much of this feeling owes to the straightforward and unadorned nature of the exchanges, as when Parke asks Vincent van Gogh why he drinks, and the master answers, If the storm gets too loud, I take a glass too much to stun myself.A" The shot cuts to At Eternity's Gate,A" van Gogh's portrait of a man with his head in his hands, but you can imagine the whorls and swirls of the artist's favored darkened skies as well. Here, Parke conducts his interview with Tolstoy in the assured and chatty style of a British talk-show host: http://whitecrowbooks.com/conversations/page/conversations_with_leo_tolstoy This gambit may be viewed as simply a clever gimmick, but there is something compelling about Parke's style, which in a way that is always promised but rarely delivered, does, in fact, bring his subjects to life. Parke's role as the good-natured interlocutor seems to be an essential component of the project, a disposition on display in this cheeky description of his imagined time spent with Tolstoy: He also proved an appalling husband, hated Shakespeare, never came to terms with his sexual appetite and yet had a profound influence on the non-violence of the young Gandhi. My time at Yasnaya Polyana, Tolstoy's country estate, was never dull; and sometimes, surprisingly comic. Soon after I left the great man, at the age of 82, he ran away from home. by Ian Crouch Loose leafs from the New Yorker Books Department.

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