Sinopsis
Excerpt from Contrasts, or a Parallel Between the Noble Edifices of the Middle Ages, and Corresponding Buildings of the Present Day: Shewing the Present Decay of Taste; Accompanied by Appropriate Text
The author gladly avails himself of the opportunity afforded him by the publica tion of this edition, to enlarge the text, and correct some important errors which appeared in the original publication. When this work was first brought out, the very name of Christian art was almost unknown, nor had the admirable works of Montalembert and Rio appeared on the subject. It is not by any means surprising that the author, standing almost alone in the principles he was advocating, should have adopted some incorrect views, in the investigation of a subject involved in so many perplexing difficulties: the theory he adopted was right in the main point, but indistinctly developed. He was perfectly correct in the abstract facts, that pointed architecture was produced by the Catholic faith, and that it was destroyed in England by the ascendency of Protestantism but he was wrong in treating Protestantism as a primary cause, instead of being the effect of some other more powerful agency, and in ascribing the highest state of architectural excellence to the ecclesiastical buildings erected immediately previous to the change of religion as, although immeasurably excelling the debased productions of the Elizabethan period, they still exhibited various symptoms of the decay of.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor
Excerpt from Contrasts, or a Parallel Between the Noble Edifices of the Middle Ages, and Corresponding Buildings of the Present Day: Shewing the Present Decay of Taste; Accompanied by Appropriate Text
The author gladly avails himself of the opportunity afforded him by the publica tion of this edition, to enlarge the text, and correct some important errors which appeared in the original publication. When this work was first brought out, the very name of Christian art was almost unknown, nor had the admirable works of Montalembert and Rio appeared on the subject. It is not by any means surprising that the author, standing almost alone in the principles he was advocating, should have adopted some incorrect views, in the investigation of a subject involved in so many perplexing difficulties: the theory he adopted was right in the main point, but indistinctly developed. He was perfectly correct in the abstract facts, that pointed architecture was produced by the Catholic faith, and that it was destroyed in England by the ascendency of Protestantism but he was wrong in treating Protestantism as a primary cause, instead of being the effect of some other more powerful agency, and in ascribing the highest state of architectural excellence to the ecclesiastical buildings erected immediately previous to the change of religion as, although immeasurably excelling the debased productions of the Elizabethan period, they still exhibited various symptoms of the decay of.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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