Composition Studies 50.1 (Spring 2022)

The oldest independent periodical in the field, COMPOSITION STUDIES publishes original articles relevant to rhetoric and composition, including those that address teaching college writing; theorizing rhetoric and composing; administering writing programs; and, among other topics, preparing the field's future teacher-scholars. All perspectives and topics of general interest to the profession are welcome. We also publish Course Designs, which contextualize, theorize, and reflect on the content and pedagogy of a course. Contributions to Composing With are invited by the editor, though queries are welcome (send to compstudies@uc.edu). Cfps, announcements, and letters to the editor are most welcome. Composition Studies does not consider previously published manuscripts, unrevised conference papers, or unrevised dissertation chapters. CONTENTS OF COMPOSITION STUDIES 50.1 (Spring 2022): From the Editors: A Critical Encomium to Pasts, Presents, and Futures | AT A GLANCE: By the Numbers: A Citation Analysis BY Doug Eyman | Articulations by Dale Jacobs and Jay Dolmage | Familia's Digital Garden by Ronisha Browdy, Esther Milu, Victor Del Hierro, and Laura Gonzales | REFLECTIONS: AI-Based Text Generation and the Social Construction of "Fraudulent Authorship": A Revisitation by Chris M. Anson | Collaborative Writing, Collage, and Cooking: From Humanist to Post-Humanist Assemblages by Anis Bawarshi and Mary Jo Reiff | Differences within Difference: Everyday Praxis from Latinx Lived Experiences by Yvette Chairez, Victoria Ramirez Gentry, and Sue Hum | Rhetoric 2050: In Honor of Richard M. Coe's "Rhetoric 2001" by Sidney I. Dobrin | The Democratization of Writing and the Role of Cheating by Peter Elbow | Creating Space for Emotion in the Composition Studies Archive by Alexis Sabryn Walston and Jessica Enoch | Embodying Mentorship and Friendship: A Love Letter to Villanueva's "Tradition and Change" by Alexandra Hidalgo | Critical Distance in Composition Studies by Rebecca Lorimer Leonard | The Catharsis for Poison: A Counterstory Retrospective on Composition Studies' 50th Anniversary by Aja Y. Martinez | Composing in the Discomfort of Institutional Violence by Cruz Medina | Composition Studies at 50: The New Work of Writing Instruction as a Way Forward by Staci Perryman-Clark | Generation(al) Matters: Story, Lens, and Tone by Louise Wetherbee Phelps Renewing Commitments to Minoritized Writers by Ray Rosas and Cheryl Glenn | In Search of the Sentence by Hannah J. Rule | WHERE WE ARE: WHAT'S NEXT FOR (PUBLISHING IN) COMPOSITION & RHETORIC? Pushing Through: Moving Beyond Revision to Achieve Substantive Change by Sheila Carter-Tod | Speculative Middles and Composition Studies at 50 by Jennifer Clary-Lemon | Anti-Racist Futures for Publishing in Rhetoric and Composition by Christina M. LaVecchia | On the Future of Writing about Teaching by Carrie S. Leverenz | Where We've Been and Where We Might Go by Bob Mayberry | Fragile Material by Laura R. Micciche | BOOK REVIEWS: Self+Culture+Writing: Autoethnography for/as Writing Studies edited by Rebecca L. Jackson and Jackie Grutsch McKinney, reviewed by Bryna Siegel Finer | Working in the Archives: Practical Research Methods for Rhetoric and Composition, edited by Alexis E. Ramsey, Wendy B Sharer, Barbara L'Eplattenier, and Lisa Mastrangelo, reviewed by Lynée Lewis Gaillet | Postprocess Postmortem, by Kristopher Lotier, reviewed by Jason Tham | Contributors