The Complete Works of Horace: Odes, Epodes, Satires, Epistles, and Art. Este artículo no está disponible.
Idioma: inglés
Editorial: -, 2017
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The Complete Works of Horace: Odes, Epodes, Satires, Epistles, and Art This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
N° de ref. del artículo 7719-9781521560532
- Título
- The Complete Works of Horace: Odes, Epodes, Satires, Epistles, and Art
- Autor
- -
- Editorial
- -
- Año de publicación
- 2017
- Estado
- Very Good
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 1521560536
- ISBN 13
- 9781521560532
Quintus Horatius Flaccus (December 8, 65 BC – November 27, 8 BC), known in the English-speaking world as Horace was the leading Roman lyric poet during the time of Augustus (also known as Octavian). The rhetorician Quintilian regarded his Odes as just about the only Latin lyrics worth reading: "He can be lofty sometimes, yet he is also full of charm and grace, versatile in his figures, and felicitously daring in his choice of words." Horace also crafted elegant hexameter verses (Satires and Epistles) and caustic iambic poetry (Epodes). The hexameters are amusing yet serious works, friendly in tone, leading the ancient satirist Persius to comment: "as his friend laughs, Horace slyly puts his finger on his every fault; once let in, he plays about the heartstrings". His career coincided with Rome's momentous change from a republic to an empire. An officer in the republican army defeated at the Battle of Philippi in 42 BC, he was befriended by Octavian's right-hand man in civil affairs, Maecenas, and became a spokesman for the new regime. For some commentators, his association with the regime was a delicate balance in which he maintained a strong measure of independence (he was "a master of the graceful sidestep")but for others he was, in John Dryden's phrase, "a well-mannered court slave".
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