Collected Poems and Adolphe 1920. Este artículo no está disponible.Collected Poems and Adolphe 1920

Is Modernism a few ground-breaking works by a handful of writers-Pound, Eliot, Joyce, Wyndham Lewis? Other writers loomed large at the time; their work points in untaken directions. Andrew Crozier assembles the first definitive text of the poems and important fiction of John Rodker, whose work was set in the balance with Eliot's and Joyce's by Pound and Lewis and was not found wanting.
Rodker's East End Jewish background - the world of Resenberg, Mark Gertler and his friend David Bomberg (who designed the cover of his first book) - and his fascination with radical theatre at the time, define an open, questing imagination. Verlaine was to him what Laforgue was to Eliot. His interest in psychoanalysis, in the sensual self, his romantic temperament, propose a Modernism that has much in common with Joyce's. No masks, no self-erasure, no ironic distancing: this writing is more than a curiosity. It challenges the Modernist canon and restores a crucial context.

Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.