Librería:
World of Books (was SecondSale), Montgomery, IL, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
Vendedor de AbeBooks desde 20 de diciembre de 2007
Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. N° de ref. del artículo 00101141677
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting.
With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Acerca de los autores:
Clement Greenberg (1909 1994), champion of abstract expressionism and modernism of Pollock, Miro, and Matisse has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. On radio and in print, Greenberg was the voice of "the new American painting," and a central figure in the postwar cultural history of the United States.
Greenberg first established his reputation writing for the "Partisan Review", which he joined as an editor in 1940. He became art critic for"The Nation" in 1942, and was associate editor of "Commentary" from 1945 until 1957. His seminal essay, "Avant-Garde and Kitsch" set the terms for the ongoing debate about the relationship of modern high art to popular culture. Though many of his ideas have been challenged, Greenberg has influenced generations of critics, historians, and artists, and he remains influential to this day.
John O'Brian is professor of art history at the University of British Colombia.
Título: The Collected Essays and Criticism, Volume 3...
Editorial: University of Chicago Press
Año de publicación: 1995
Encuadernación: Encuadernación de tapa blanda
Condición: Good
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G0226306232I4N00
Cantidad disponible: 1 disponibles
Librería: WeBuyBooks, Rossendale, LANCS, Reino Unido
Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: rev3611481034
Cantidad disponible: 1 disponibles
Librería: Anybook.com, Lincoln, Reino Unido
Condición: Good. Volume 3. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780226306230. Nº de ref. del artículo: 5972393
Cantidad disponible: 1 disponibles
Librería: Anybook.com, Lincoln, Reino Unido
Condición: Good. Volume 3. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780226306230. Nº de ref. del artículo: 5804538
Cantidad disponible: 1 disponibles
Librería: Anthony Clark, Wolfville, NS, Canada
Soft cover. Condición: Fine. University of Chicago Press, Chicago, 1995, Trade paperback. Book Condition: Fine and unread. Nº de ref. del artículo: ABE-1522185047324
Cantidad disponible: 1 disponibles
Librería: ANARTIST, New York, NY, Estados Unidos de America
Softcover, 306 pages; very good condition; light stain to rear cover; no internal marks. Nº de ref. del artículo: ThGrUn35.1
Cantidad disponible: 1 disponibles
Librería: Burton Lysecki Books, ABAC/ILAB, Winnipeg, MB, Canada
[0-226-30623-2] 1995. (Trade paperback) Very good. 305pp. Frontispiece, notes, bibliography, chronology, index. Edited by John O'Brian. (Art, Art, Art Criticism). Nº de ref. del artículo: 142835
Cantidad disponible: 1 disponibles
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
Condición: new. Nº de ref. del artículo: 36dce555f303a7ed92fe3bb5ec453993
Cantidad disponible: Más de 20 disponibles
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condición: New. Num Pages: 340 pages, 2 halftones. BIC Classification: 3JJPG; AB; ACX; JFC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 217 x 147 x 18. Weight in Grams: 470. . 1995. New ed. Paperback. . . . . Nº de ref. del artículo: V9780226306230
Cantidad disponible: Más de 20 disponibles
Librería: Revaluation Books, Exeter, Reino Unido
Paperback. Condición: Brand New. 340 pages. 8.75x5.75x0.75 inches. In Stock. This item is printed on demand. Nº de ref. del artículo: __0226306232
Cantidad disponible: 2 disponibles