Coherence, Counterpoint, Instrumentation, Instruction in Form. Edited and with an introduction by Severine Neff

SCHOENBERG Arnold

ISBN 10: 0803242301 ISBN 13: 9780803242302

Editorial: University of Nebraska Press, 1994

Idioma: Ingl�s

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Descripci�n

pp.lxxii,135, many music examples, English and German text, hardback, a very good+ copy in a very good+ dust-jacket [0803242301].

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Detalles bibliogr�ficos

T�tulo

Coherence, Counterpoint, Instrumentation, Instruction in Form. Edited and with an introduction by Severine Neff

Editor

University of Nebraska Press

Fecha de publicaci�n

1994

Idioma

Ingl�s

ISBN 10

0803242301

ISBN 13

9780803242302

Encuadernaci�n

Hardcover

Estado

Very Good

Estado de la sobrecubierta

Dust Jacket Included

Cat�logos de vendedores

Music

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Sinopsis

Only Stravinsky can claim as much credit as Schoenberg for the most dramatic innovations in twentieth-century music. Inventor of the twelve-tone row, explorer of atonality and the hexachord, composer of tone poems, songs, and chamber music, and chief spokesman for the Vienna Circle, Schoenberg has become ever more influential as his successors have come to understand him. Fuller understanding has been delayed because many of his writings have not yet been edited or published. This volume collects four short works, each concentrated on a key issue in composition. Written in 1917, but altered and augmented many times in later years, the manuscripts edited and translated in this volume have never been published before. Their importance can permit no further delay since they present Schoenberg's thinking well after the publication in 1911 of Harmonielehre, his revolutionary theoretical book. The later texts provide numerous prospects for enhancing the study and appreciation of Schoenberg's compositions and theories. Also a painter, Schoenberg enjoyed the friendship of Kandinsky and the Berlin expressionists. This volume includes a frontispiece reproducing one of Schoenberg's paintings.

Acerca del autor

Severine Neff is an associate professor of music theory at the University of Cincinnati College-Conservatory of Music. Charlotte Cross received her Ph.D in historical musicology from Columbia University, where she has also taught.

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