Neuware -The aim of the volume is to show in which sense the study of culture, literature and the arts can contribute to a better understanding of human cognition. The collection of essays is questioning whether culture is exclusively human and discusses evolutionary substrates of narrative and the interfaces between culture, stories and cognition. The contributions examine the cognitive strengths and weaknesses of literary reading and analyse other techniques of sense-making in the arts through imagined dialogues and the experience of ambiguity. The final contributions are dealing with musical cognition, the relation between music, aesthetics and cognition. 132 pp. Englisch.

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Detalles bibliogr�ficos

T�tulo: Cognition, Culture, and the Arts
Editor: Peter Lang, Peter Lang Okt 2021
Fecha de publicaci�n: 2021
Idioma: Ingl�s
ISBN 10: 3631861265
ISBN 13: 9783631861264
Encuadernaci�n: Buch
Estado: Neu

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Sinopsis

The volume shows in which sense the study of culture, literature and the arts contributes to the understanding of human cognition. It explores evolutionary substrates of narrative; the interfaces between culture, stories and cognition; the cognitive strengths and weaknesses of reading; and other techniques of sense-making in music and the arts.

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Peter Hanenberg is a Professor for German and Culture Studies at Universidade Cat�lica Portuguesa in Lisbon, vice rector for research and innovation and director of CADOS, Cat�lica Doctoral School. He coordinates the research group on cognition and translatability at the Research Centre for Communication and Culture in Lisbon. His research focuses on the literary representation of the idea of Europe and on the intersection of cognition and culture.

Wolfgang Hallet is a former Professor of Teaching English as a Foreign Language at Justus Liebig University Giessen, Germany. He was a founding member of the Executive Board of the International Graduate Centre for the Study of Culture and the Head of its Teaching Centre. In literary studies he has researched and published on contemporary novels, the spatial turn, the multimodal novel, and methodologies of intermediality and multimodality.

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