The Codex Borbonicus Veintena Imagery : Visualizing History, Time, and Ritual in Aztec Solar-Year Festivals. Este artículo no está disponible.
Idioma: inglés
Editorial: Amsterdam University Press Sep 2024, 2024
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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Neuware - The sixteenth-century pictorial manuscript known as the Codex Borbonicus contains a remarkable record of the eighteen Mexica (or 'Aztec') festival periods of twenty days, known as veintenas, celebrated during the 365-day solar year. Because its indigenous artists framed the Borbonicus veintenas with historical year dates, this volume situates the annually recurring rituals within the march of linear, reckoned time, in the singular year '2 Reed' (1507), during the reign of Moteuczoma II. DiCesare attends to the historical dimensions of several unusual scenes, proposing that the veintenas probably varied significantly from year to year in response to historical concerns. She considers particularly whether the Borbonicus veintenas document the confluence of solar year ceremonies with a second set of ritual feast days, governed by the 260-day cycle known as the tonalpohualli, or 'count of days.' In this way, DiCesare analyzes how linear and cyclical conceptions of time intersected in Mexica ritual performance.
N° de ref. del artículo 9789463721394
- Título
- The Codex Borbonicus Veintena Imagery : Visualizing History, Time, and Ritual in Aztec Solar-Year Festivals
- Autor
- Catherine DiCesare
- Editorial
- Amsterdam University Press Sep 2024
- Año de publicación
- 2024
- Estado
- Neu
- Encuadernación
- Buch
- Idioma
- inglés
- ISBN 10
- 9463721398
- ISBN 13
- 9789463721394
- Peso del artículo
- 560 gramos
- Dimensiones
- 246x174x0 mm
The sixteenth-century pictorial manuscript known as the Codex Borbonicus contains a remarkable record of the eighteen Mexica (or “Aztec”) festival periods of twenty days, known as veintenas, celebrated during the 365-day solar year. Because its indigenous artists framed the Borbonicus veintenas with historical year dates, this volume situates the annually recurring rituals within the march of linear, reckoned time, in the singular year “2 Reed” (1507), during the reign of Moteuczoma II. DiCesare attends to the historical dimensions of several unusual scenes, proposing that the veintenas probably varied significantly from year to year in response to historical concerns. She considers particularly whether the Borbonicus veintenas document the confluence of solar year ceremonies with a second set of ritual feast days, governed by the 260-day cycle known as the tonalpohualli, or “count of days.” In this way, DiCesare analyzes how linear and cyclical conceptions of time intersected in Mexica ritual performance.
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Acerca del autor
Catherine R. DiCesare is an Associate Professor of Art History in the Department of Art and Art History at Colorado State University. She holds a Ph.D. in Pre-Columbian Art History. Her specialty is the art of the ancient Americas. Her research focuses primarily on Mexican pictorial manuscripts, calendars, and rituals.
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