Phillip Foss's CHROMATIC DEFACEMENT is a new fin de siecle theater of cruelty with the roles played by perfumes, echoes and elisions. Coquettish effluvia. Susan Howe meets Bataille and they have this child called Fetter of Nuance or, in fact, CHROMATIC DISPLACEMENT. I think I'm in love with it. Rae Armantrout. There is the entrance of submission. The opening / is very low, or very shallow, as if its fabricator desired removal / of one's head in entering, not concerning stature / but sensation and dialectics. (The Theater of Perfumes). Following the steps of Phillip Foss, one of Lully's latterday and more intrepid progeny surely, you will remake desire. Remake it and remake it. Remake it and make it last. At last. John Taggart.

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Phillip Foss was, until his death, one of the most creative poets in the American Southwest, and an influential editor (of the journal TYUONYI) of new poetry and prose. His several books include The Composition of Glass and The World's Description: New and Selected Poems.

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