Allora & Calzadilla. Stop, Repair, Prepare: Variationen zur Ode "An die Freude" für ein präpariertes Klavier. Variations on "Ode to Joy" for a Prepared Piano. Este artículo no está disponible.
Idioma: inglés
Editorial: Walther König, Köln, 2009
- Tapa dura
- Usado

Librería: medimops, Berlin, Alemaniamedimops
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Descripción del artículo del vendedor
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
N° de ref. del artículo M03865604749-G
- Título
- Allora & Calzadilla. Stop, Repair, Prepare: Variationen zur Ode "An die Freude" für ein präpariertes Klavier. Variations on "Ode to Joy" for a Prepared Piano
- Autor
- Allora, Jennifer, Calzadilla, Guillermo
- Editorial
- Walther König, Köln
- Año de publicación
- 2009
- Estado
- good
- Encuadernación
- Encuadernación de tapa dura
- Idioma
- inglés
- ISBN 10
- 3865604749
- ISBN 13
- 9783865604743
The official anthem of the European Union, heard at numerous political, cultural and public sporting events, is the “Ode to Joy” melody from the last movement of Beethoven's Ninth Symphony, "a true 'empty signifier' that can stand for anything," begins noted theorist Slavoj Zizek in his essay for this well-designed artist's book in which the American and Cuban Conceptual artist collaborators Jennifer Allora and Guillermo Calzadilla present their reflections on this ubiquitous masterwork. Modified classical instruments, scribbled musical notations, Nazi concerts, historical Turkish musical groups, the pope, Communist propaganda and other archival images are used to great effect.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
The official anthem of the European Union, heard at numerous political, cultural and public sporting events, is the "Ode to Joy" melody from the last movement of Beethoven's Ninth Symphony, "a true 'empty signifier' that can stand for anything," begins noted theorist Slavoj Zizek in his essay for this well-designed artist's book in which the American and Cuban Conceptual artist collaborators Jennifer Allora and Guillermo Calzadilla present their reflections on this ubiquitous masterwork. Modified classical instruments, scribbled musical notations, Nazi concerts, historical Turkish musical groups, the pope, Communist propaganda and other archival images are used to great effect.
“Acerca de” puede pertenecer a otra edición de este título.