Brought to Light : Photography and the Invisible, 1840-1900. Este artículo no está disponible.
Idioma: inglés
Editorial: Yale University Press, 2008
- Tapa dura
- Usado

Librería: Better World Books Ltd, Dunfermline, Reino UnidoBetter World Books Ltd
Vendedor de IberLibro desde 13 de octubre de 2008
Condición: Usado - Aceptable
EUR 16,05
Descripción del artículo del vendedor
Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
N° de ref. del artículo 11778521-6
- Título
- Brought to Light : Photography and the Invisible, 1840-1900
- Editorial
- Yale University Press
- Año de publicación
- 2008
- Estado
- Good
- Encuadernación
- Encuadernación de tapa dura
- Idioma
- inglés
- ISBN 10
- 0300142102
- ISBN 13
- 9780300142105
- Peso del artículo
- 3,607 libras
- Dimensiones
- N/A
A fascinating look at photography’s impact on science and popular culture
Brought to Light invites readers to step back to a time when photography, X-rays, and movies were new, when forays into the world beneath the skin or the realm beyond our everyday vision captivated scientists and the public alike. In this book, accounts of scientific experimentation blend with stories of showmanship to reveal how developments in 19th-century technology could enlighten as well as frighten and amaze. Through a series of 200 vintage images―produced by photographers, scientists, and amateur inventors―this book ultimately traces the rise of popular science.
The images demonstrate early experiments with microscopes, telescopes, electricity and magnetism, motion studies, X-rays and radiation, and spirit photography. We learn how these pictures circulated among the public, whether through the press, world’s fairs, or theaters. What started out as scientific progress, however, often took on the trappings of magic and superstition, as photography was enlisted to offer visual evidence of clairvoyance, spirits, and other occult influences.
With beautifully reproduced plates and engaging narratives, this book embodies the aesthetic pleasures and excitement of the tale it tells.
Published in association with the San Francisco Museum of Modern Art
Exhibition Schedule:
San Francisco Museum of Modern Art (October 11, 2008 – January 4, 2009)
Albertina Museum, Vienna (March 20 – June 6, 2009)
“Sinopsis” puede pertenecer a otra edición de este título.
Acerca del autor
Corey Keller is associate curator of photography at the San Francisco Museum of Modern Art. Jennifer Tucker is associate professor of History at Wesleyan University. Tom Gunning is professor of Art History at the University of Chicago.
Maren Gröning is Curator of the Photographic Collection at the Albertina Museum, Vienna.
“Acerca de” puede pertenecer a otra edición de este título.