Breaking Time's Arrow : Experiment and Expression in the Music of Charles Ives. Este artículo no está disponible.
Idioma: inglés
Editorial: Indiana University Press Jun 2014, 2014
- Tapa dura
- Nuevo
Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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Condición: Nuevo
EUR 51,60
Descripción del artículo del vendedor
Neuware - Charles Ives (1874-1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style.
N° de ref. del artículo 9780253012739
- Título
- Breaking Time's Arrow : Experiment and Expression in the Music of Charles Ives
- Autor
- Matthew Mcdonald
- Editorial
- Indiana University Press Jun 2014
- Año de publicación
- 2014
- Estado
- Neu
- Encuadernación
- Buch
- Idioma
- inglés
- ISBN 10
- 0253012732
- ISBN 13
- 9780253012739
- Peso del artículo
- 476 gramos
- Dimensiones
- 234x156x13 mm
- Serie
- Libro 9 de 21: Musical Meaning and Interpretation
Charles Ives (1874–1954) moved traditional compositional practice in new directions by incorporating modern and innovative techniques with nostalgic borrowings of 19th century American popular music and Protestant hymns. Matthew McDonald argues that the influence of Emerson and Thoreau on Ives's compositional style freed the composer from ordinary ideas of time and chronology, allowing him to recuperate the past as he reached for the musical unknown. McDonald links this concept of the multi-temporal in Ives's works to Transcendentalist understandings of eternity. His approach to Ives opens new avenues for inquiry into the composer's eclectic and complex style.
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Acerca del autor
Matthew McDonald is Associate Professor of Music at Northeastern University.
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