How to Make the Body: Difference, Identity, and Embodiment. Este artículo no está disponible.How to Make the Body: Difference, Identity, and Embodiment

How to Make the Body investigates theories of difference, identity, and embodiment in real-world German contexts, such as advertising, aesthetics, pornography, social media, scientific experimentation, and cultural forms.

Jennifer L. Creech is Associate Professor of German, Affiliate Faculty in Film & Media Studies, and Associate Faculty in Gender, Sexuality, and Women's Studies at the University of Rochester, USA. She is the author of Mothers, Comrades and Outcasts in East German Women's Films (2016) and co-editor of Spectacle: German Visual Culture, Volume 2 (2015).

Thomas O. Haakenson is Associate Professor in Critical Studies and Visual Studies at California College of the Arts in San Francisco and Oakland, USA. He is coeditor of the book series Visual Cultures and German Contexts and has been published widely, including in New German Critique, Cabinet, Rutgers Art Review, German Studies Review, and the anthologies Legacies of Modernism, Spectacle, Representations of German Identity, as well as Memorialization in Germany Since 1945. He has received awards and fellowships from the United States Fulbright Program, the Social Science Research Council, the Max Planck Institute for the History of Science, the Deutscher Akademischer Austauschdienst, and the Berlin Program for Advanced German and European Studies.