Ben Jonson and the Classical School Classic Reprint
Idioma: inglés
Editorial: Forgotten Books, 2019
- Tapa blanda
- Nuevo

Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
Vendedor de IberLibro desde 7 de abril de 2005
Condición: Nuevo
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N° de ref. del artículo LW-9781331082804
- Título
- Ben Jonson and the Classical School Classic Reprint
- Autor
- Felix Emmanuel Schelling
- Editorial
- Forgotten Books
- Año de publicación
- 2019
- Estado
- New
- Encuadernación
- PAP
- Idioma
- inglés
- ISBN 10
- 1331082803
- ISBN 13
- 9781331082804
- Peso del artículo
- 123 gramos
The characteristics of Jonson as the exponent of the con servative spirit in literature in an age conspicuous for its passionate love of novelty are somewhat these: an unusual acquaintance with the literature of Greece and Rome, a hold ing of the prose writers and poets of antiquity, to employ the happy phrase of the late Mr. J ohn Addington Symonds, in solution in his Spacious memory, and a marvelous ability to pour them plastically forth into the mould of thought a keen appreciation of the principles which lie at the root of classical literature, with an intelligent recognition and a liberal interpretation of those principles in their adaptation to the needs of contemporary English conditions. The rhetorician in J onson was alike his distinction and his greatest limitation. It was this which gave him an ever-present sense of an inspir ing design, whether it was in the construction of a complete play or in the selection and ordering of the words of a single clause. These more general characteristics of the classicist will be recognized at once as J onson's but even the specific qualities that mark the coming age of English classicism are his. We have already remarked J onson's fondness for satire and criticism, and his exceeding use of that species of applied poetry called occasional verse. Restriction in the range of subject is always attended bya corresponding restriction ir yle and form, and we are prepared to find in Jonson's occajional verse a strong tendency to precise and pointed antithetical diction, and a somewhat conventionalized and restricted metri cal form. If we will look at Jonson's prose we shall find other notes only less marked of the coming classical supremacy, in his slightly Latinized vocabulary and in his occasional preference for abstract over concrete expression.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Reseña del editor
"The words, classical and romantic, although, like many other critical expressions, sometimes abused by those who have understood them vaguely or too absolutely, yet define two real tendencies in the history of art and literature. The 'classic' comes to us out of the cool and quiet of other times, as the measure of what a long experience has shown will at least never displease us. And in the classical literature of Greece and Rome, as in the classics of the last century, the essentially classical element is that quality of order in beauty, which they possess, indeed, to a pre-eminent degree. It is the addition of strangeness to beauty, that constitutes the romantic character in art; and the desire of beauty being a fixed element in every artistic organisation, it is the addition of curiosity to this desire of beauty that constitutes the romantic temper."
These are the words of that rare interpreter of the "House Beautiful," the late Mr. Walter Pater, and may serve us as a fitting position whence to depart in a search for the origin of some of those elements which combined to produce the many and noteworthy changes that came over English literature during the seventeenth century.
Without entering here into definitions and distinctions which have been much aired and not a little abused, it is well to notice that these terms are not necessarily hostile to each other or even mutually exclusive. Classicism and Romanticism are tendencies rather than opposed methods in art. Literature has always partaken of both, although one may dominate in one age, the other in another.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“Acerca de” puede pertenecer a otra edición de este título.
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Wood Dale, IL, Estados Unidos de America
Vendedor de IberLibro desde 7 de abril de 2005
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|---|---|---|
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