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A reexamination of the classifications of "ethnic” art and artifacts
Undermining the anthropological designations of “ethnic artifacts” and “ethnic art,” this survey of the massive collections of the Museum of World Cultures in Frankfurt approaches 130 of its works as both art and artifact simultaneously, raising aesthetic matters of form and color alongside contextual considerations. Masks, clubs, fans, spoons, tusks, dolls, necklaces, baskets, shields, cups, bags, headdresses and sculptures from countries in Africa, the Americas, Southeast Asia, Oceania and East Asia are all reproduced here, in full color and with contextualizing commentary. As debate on the status of ethnic artifacts continues to expand, with Being Object the Museum of World Cultures takes the lead among institutions in attempting to reorient the taxonomies of its collections.Reseña del editor: Cultures contribute to the richness of this world through their uniqueness and variety - as do their material products. This is reflected in the ethnographic collections from Africa, the Americas, South East Asia, Oceania and East Asia at the Museum of World Cultures in Frankfurt. Using exceptional photographs, 130 everyday objects or ritual items are presented from the huge collection. The objects in this volume are described and interpreted simultaneously as works of art. The book questions the environment in which the work was created and which ideas about design, colour, form, symmetry, balance, etc., might have influenced their production. The common goal is to present what it is about these works that are exceptional, elaborate, other, perfect or imperfect in fact, harmonious or disturbing.
Título: Being Object, Being Art: Masterpieces from ...
Editorial: Wasmuth
Año de publicación: 2010
Encuadernación: Hardcover
Condición: Very Good