Banksy: You Are an Acceptable Level of Threat and if You Were Not You Would Know About It. Este artículo no está disponible.
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Idioma: inglés
Editorial: Pro-Actif Communications, 2012
- Tapa dura
- Usado

Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de AmericaThriftBooks-Dallas
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Vendedor de IberLibro desde 2 de julio de 2009
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Tapa dura
Condición: Usado - Bueno
EUR 6,55
Descripción del artículo del vendedor
May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
N° de ref. del artículo G1908211083I4N00
- Título
- Banksy: You Are an Acceptable Level of Threat and if You Were Not You Would Know About It
- Autor
- Patrick Potter
- Editorial
- Pro-Actif Communications
- Año de publicación
- 2012
- Estado
- Very Good
- Sobrecubierta
- No Jacket
- Encuadernación
- Hardcover
- Idioma
- inglés
- ISBN 10
- 1908211083
- ISBN 13
- 9781908211088
- Edición
- 2ª Edición
- Peso del artículo
- 2,65 libras
Collects the artist's works, from the late 1990s to present, across the major cities of the U.K. and North America.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
Banksy is the closest thing we have to Che Guevara. Except, as far as we know, he's never flunked medical school, shot anyone or attempted to foment revolution in the Congo. You will find, gathered lovingly together, in this book - the single best collection of photography of Banksy's street work that has ever been assembled for print. If that isn't enough there are some words too. Much to the chagrin of art schools everywhere, it is likely that Banksy will be the best remembered artist of post-millennialdepression Britain. His capacity to grab attention and deliver a message, often with a punch fine or hidden layer of meaning would have landed him a great job in an advertising agency. Madison Avenue's loss is our gain. If you've never heard of Banksy, this book is all you'll ever need to read to be able to engage in pub table debates about the man and the legend. When Banksy started out painting the political landscape was bleak. Fortunately now, it's ten times worse. So as Banksy's cheerfully aggressive political work grows ever more relevant we take a stab at presenting his art in the context of the era he was responding to, looking at the issues his work was about. So hopefully when Palestine is a free state and school kids of the future wonder why Banksy went to Bethlehem, it will all be clear. Banksy goes to Bolivia to start a guerrilla uprising and gets shot to death ? Could happen. And maybe discover who Banksy really is. Then go and tell someone who cares.
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