Avatars, Activism and Postdigital Performance: Precarious Intermedial Identities. Este artículo no está disponible.
Idioma: inglés
Editorial: Methuen Drama, 2021
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- Título
- Avatars, Activism and Postdigital Performance: Precarious Intermedial Identities
- Editorial
- Methuen Drama
- Año de publicación
- 2021
- Estado
- New
- Encuadernación
- Encuadernación de tapa dura
- Idioma
- inglés
- ISBN 10
- 135015931X
- ISBN 13
- 9781350159310
A timely exploration of the postdigital in relation to performance and identity.
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Acerca del autor
Liam Jarvis is a theatre-maker, practitioner-researcher, and Reader in Theatre and Performance at Central School of Speech and Drama, UK.
Karen Savage is Head of Arts, Culture and Heritage for the College of Arts and Professor of Creative and Collaborative Arts at the University of Lincoln, UK. Karen works across film and theatre, creating work that has been screened and performed nationally and internationally. She was co-convenor of the Intermediality in Theatre & Performance Research Working Group at the International Federation for Theatre Research (IFTR) between 2017-2021. She is Co-editor of the Performance and Digital Cultures book series for Methuen Drama. Publications include Avatars, Activism and Postdigital Performance: Precarious Intermedial Identities (2022) (co-edited with Liam Jarvis), 'Performance in the (K)now - Social Raportage and Rapport of Social Media in "Reterritorializing Digital Performance from South to North"', International Journal for Performance and Digital Media, 15 (3) (2019), William W. Lewis and Sonali Pahwa (eds); Economies of Collaboration in Performance: More Than the Sum of the Parts by Karen Savage and Dominic Symonds (2018); 'Deference, Deferred: Rejourn as Practice in Familial War Commemoration' co-authored with Justin Smith in Staging Loss: Performance as Commemoration, Michael Pinchbeck and Andrew Westerside (eds) (2018).
Karen Savage is Head of Arts, Culture and Heritage for the College of Arts and Professor of Creative and Collaborative Arts at the University of Lincoln, UK. Karen works across film and theatre, creating work that has been screened and performed nationally and internationally. She was co-convenor of the Intermediality in Theatre & Performance Research Working Group at the International Federation for Theatre Research (IFTR) between 2017-2021. She is Co-editor of the Performance and Digital Cultures book series for Methuen Drama. Publications include Avatars, Activism and Postdigital Performance: Precarious Intermedial Identities (2022) (co-edited with Liam Jarvis), 'Performance in the (K)now - Social Raportage and Rapport of Social Media in "Reterritorializing Digital Performance from South to North"', International Journal for Performance and Digital Media, 15 (3) (2019), William W. Lewis and Sonali Pahwa (eds); Economies of Collaboration in Performance: More Than the Sum of the Parts by Karen Savage and Dominic Symonds (2018); 'Deference, Deferred: Rejourn as Practice in Familial War Commemoration' co-authored with Justin Smith in Staging Loss: Performance as Commemoration, Michael Pinchbeck and Andrew Westerside (eds) (2018).
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