Authorship in Film Adaptation — Jack Boozer Paperback
Idioma: inglés
Editorial: University of Texas Press, 2008
- Tapa blanda
- Usado
Librería: Castleman Books, Three Legged Cross, Wimborne, Dorset, Reino UnidoCastleman Books
Vendedor de IberLibro desde 15 de febrero de 2026
Condición: Usado - Aceptable
EUR 22,78
Cantidad disponible: 1 disponible
Añadir al carritoDescripción del artículo del vendedor
Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Authorship in Film Adaptation is an accessible, provocative text that opens up new areas of discussion on the central process of adaptation surrounding the screenplay and screenwriter-director collaboration. In contrast to narrow binary comparisons of literary source text and film, the twelve essays in this collection also give attention to the underappreciated role of the screenplay and film pre-production that can signal the primary intention for a film. Divided into four parts, this collection looks first at the role of Hollywood's activist producers and major auteurs such as Hitchcock and Kubrick as they worked with screenwriters to formulate their audio-visual goals. The second part offers case studies of Devil in a Blue Dress and The Sweet Hereafter, for which the directors wrote their own adapted screenplays. Considering the variety of writer-director working relationships that are possible, Part III focuses on adaptations that alter genre, time, and place, and Part IV investigates adaptations that alter stories of romance, sexuality, and ethnicity. Condition (Good): Average used copy with visible wear. All pages present and readable. May include small tears, creasing, rubbing, or previous owner marks, but remains structurally sound.…
N° de ref. del artículo O-06-02-9780292718531-20260930100155
- Título
- Authorship in Film Adaptation — Jack Boozer Paperback
- Autor
- Jack Boozer
- Editorial
- University of Texas Press
- Año de publicación
- 2008
- Estado
- Good
- Encuadernación
- Encuadernación de tapa blanda
- Idioma
- inglés
- ISBN 10
- 0292718535
- ISBN 13
- 9780292718531
Authoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source.
Authorship in Film Adaptation is an accessible, provocative text that opens up new areas of discussion on the central process of adaptation surrounding the screenplay and screenwriter-director collaboration. In contrast to narrow binary comparisons of literary source text and film, the twelve essays in this collection also give attention to the underappreciated role of the screenplay and film pre-production that can signal the primary intention for a film. Divided into four parts, this collection looks first at the role of Hollywood’s activist producers and major auteurs such as Hitchcock and Kubrick as they worked with screenwriters to formulate their audio-visual goals. The second part offers case studies of Devil in a Blue Dress and The Sweet Hereafter, for which the directors wrote their own adapted screenplays. Considering the variety of writer-director working relationships that are possible, Part III focuses on adaptations that alter genre, time, and place, and Part IV investigates adaptations that alter stories of romance, sexuality, and ethnicity.
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Acerca del autor
Jack Boozer is Professor of Film Studies in the Department of Communication at Georgia State University in Atlanta. He also has extensive professional and teaching experience in screenwriting and adapting literature to film. His previous book is Career Movies: American Business and the Success Mystique.
“Acerca de” puede pertenecer a otra edición de este título.
Castleman Books
Three Legged Cross, Wimborne, Dorset, Reino Unido
Vendedor de IberLibro desde 15 de febrero de 2026
Tarifas de envío de Reino Unido a Estados Unidos de America
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Castleman Books is an independent bookseller based in Dorset in the UK. We believe in honesty, clarity and reliability. Condition is always described conservatively and any faults are noted. All books are securely packaged and dispatched promptly. Whether you are a collector, researcher or simply looking for a well kept reading copy, you can buy with confidence knowing that: Listings are accurate and transparent. Books are authentic and carefully checked. Packaging is protective and professional. Communication is friendly and responsive. We are always happy to answer questions about a books condition, edition or provenance. Our aim is to make every transaction smooth, trustworthy and enjoyable - and to place each book into the hands of someone who values it as much as we do.…
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