This book explores the literary work of Antonio Tabucchi from a visual perspective, focusing on its interaction with the arts of painting, photography and cinema. Drawing on the visual studies and on postmodernist theory and criticism, it offers a textual and philosophical inquiry into the visual narrative of one of Europe's most original writers.
Michela Meschini teaches Critical Theory and Comparative Literature at the University of Macerata (Italy). She specializes in visual studies, postmodernist theory, and contemporary Italian literature. Her research areas also include transnational fiction and women’s writing.