Berkeley, Los Angeles, London: University of California Press, 1995. Near Fine condition in Near Fine dust jacket. NO chips. NO tears. NO creases. Bright, shiny, clean, square, and tight. Illustrated with numerous vintage photographs. Long list of chapter notes/sources. Bibliography. Index. Bound in the original light gray boards, with a black cloth spine lettered in shiny silver. From the Dust Jacket: "Drawing on a vast array of correspondence, interviews, and published and unpublished works, Spaulding illuminates Adams place in modern art and the environmental movement. He explores the photographer's early influences -- the tensions in Adams's once-wealthy family, his adventures in the Sierra Nevada, and his participation in the art colonies of California and New Mexico. His friendships with leading artists, including Dorothea Lange, Georgia O'Keeffe, Alfred Stieglitz, Paul Strand, and Edward Weston�" . Second printing. Hardcover. Near Fine condition/Near Fine dust jacket. 8vo. xv, 516pp.

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Detalles bibliogr�ficos

T�tulo

Ansel Adams and the American Landscape : A Biography

Editor

University of California Press, Berkeley, Los Angeles, London

Fecha de publicaci�n

1995

Idioma

Ingl�s

ISBN 10

0520089928

ISBN 13

9780520089921

Encuadernaci�n

Hardcover

Edici�n

Second printing.

Estado

Near Fine condition

Estado de la sobrecubierta

Near Fine dust jacket

Cat�logos de vendedores

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Sinopsis

Working with a cumbersome 8 x 10 field camera, Ansel Adams (1902-1984) created some of the most dramatic and influential photographs ever made of the American West. His majestic landscapes and evocative still lifes conveyed a vision of an idealized America that helped inspire the wilderness conservation movement. Yet despite these accomplishments, Adams has been the least studied of America's most important photographers. This biography of the artist, along with a critical analysis of his life's work, attempts to redress the balance. Refuting the myth of a solitary and carefree wilderness explorer, Spaulding portrays a man grappling with the question of how art and nature intersect in the modern world. He addresses the contradictions the photographer faced as both artist and activist: his struggle to balance art and commercialism; his desire to create art, yet enjoy bourgeois comforts; and his simultaneous support for economic development, tourism, and wilderness preservation. Spaulding places Adams's work in the context of modernism and the other major developments in 20th-century art and ideas. He examines his debt to the pioneering art photographers Alfred Stieglitz and Edward Steichen, and his response to later artists. He traces Adams's growth as an environmental activist and discusses his use of photography to further the cause of conservation.

Acerca del autor

Jonathan Spaulding is an independent scholar who received a doctorate from the University of California, Los Angeles. He lives and writes in Pasadena, California.

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