Analysis of Tonal Music: A Schenkerian Approach. Este artículo no está disponible.
Cadwallader, Allen; Gagné, David; Samarotto, Frank
43 valoraciones de Goodreads
Idioma: inglés
Editorial: Oxford University Press, 2019
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Librería: -OnTimeBooks-, Phoenix, AZ, Estados Unidos de America-OnTimeBooks-
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Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.
N° de ref. del artículo OTV.0190846674.VG
- Título
- Analysis of Tonal Music: A Schenkerian Approach
- Autor
- Cadwallader, Allen; Gagné, David; Samarotto, Frank
- Editorial
- Oxford University Press
- Año de publicación
- 2019
- Estado
- very_good
- Encuadernación
- Encuadernación de tapa blanda
- Idioma
- inglés
- ISBN 10
- 0190846674
- ISBN 13
- 9780190846671
- Edición
- 4ª Edición
In this highly anticipated new edition of Analysis of Tonal Music: A Schenkerian Approach, authors Allen Cadwallader, David Gagné, and Frank Samarotto use specific, memorable compositions to explain structural principles. This approach teaches students how to think about, critically examine, understand, and perform great compositions of Western art music.
Part 1 covers principles fundamental to the study of Schenkerian analysis and includes discussions of melody, counterpoint, bass-line structures, the imaginary continuo, linear techniques, and the essential properties of the Ursatz (fundamental structure). Part 2 presents complete compositions by formal category, beginning with one-part forms; proceeding through binary, ternary, and rondo forms; and concluding with the sonata principle. The book includes more than 200 analytical graphs, an appendix on graphic notation, and a bibliography.
Part 1 covers principles fundamental to the study of Schenkerian analysis and includes discussions of melody, counterpoint, bass-line structures, the imaginary continuo, linear techniques, and the essential properties of the Ursatz (fundamental structure). Part 2 presents complete compositions by formal category, beginning with one-part forms; proceeding through binary, ternary, and rondo forms; and concluding with the sonata principle. The book includes more than 200 analytical graphs, an appendix on graphic notation, and a bibliography.
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Acerca del autor
Allen Cadwallader is Professor Emeritus of Music Theory at the Oberlin Conservatory of Music.
David Gagné is Professor Emeritus of Music Theory at Queens College, City University of New York.
Frank Samarotto is Associate Professor of Music Theory at the Indiana University Jacobs School of Music.
David Gagné is Professor Emeritus of Music Theory at Queens College, City University of New York.
Frank Samarotto is Associate Professor of Music Theory at the Indiana University Jacobs School of Music.
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