Quqrto. Hardcover in grey cloth clamshell case with grey cloth boards and illustrated jacket. 351 pages : black and white illustrations, color illustrations, color photographs ; 32 x 24 cm. "The first volume in more than 20 years tells a new and modern story of the U.S. State Department's Diplomatic Reception Rooms, one of the top collections of American fine and decorative arts in existence. The art of United States diplomacy has been conducted over more than two centuries with figures from all over the world, in peacetime and in conflict. For the last six decades, these negotiations have taken place in the rarified environment of the Diplomatic Reception Rooms at the U.S. Department of State. Tucked inside the modern Truman Building in the center of Washington, D.C., lies this special suite of rooms transformed by four renowned architects--gems of classical architecture brimming with exceptional American art and artifacts that tell the story of the nation's founding and represent the singular ideals of the American character. Housing one of the finest collections in the world, along with the Metropolitan Museum of Art and Winterthur, these rooms display more than 5,000 objects, including paintings by John Singleton Copley and Gilbert Stuart; silver and porcelain owned by George Washington and other presidents; fine furniture; maps and documents; prints and drawings, not to mention the very desk the Treaty of Paris that ended the Revolutionary War was signed on. With all-new photography and essays, this book captures the history of the rooms and explores more than 150 examples of the extraordinary American art that animates the exquisite spaces" --.

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Detalles bibliogr�ficos

T�tulo

America's Collection: The Art and Architecture of the Diplomatic Reception Rooms at the U.S. Department of State

Editor

Rizzoli Electa, New York

Fecha de publicaci�n

2023

Idioma

Ingl�s

ISBN 10

0847873277

ISBN 13

9780847873272

Encuadernaci�n

Hardcover

Estado

As new.

Cat�logos de vendedores

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Sinopsis

The first volume in more than 20 years tells a new and modern story of the U.S. State Department’s Diplomatic Reception Rooms, one of the top collections of American fine and decorative arts in existence.

Winner, NYC Big Book Award 2023, Fine Arts; Best Art Book, American Book Fest Award, 2023

The art of United States diplomacy has been conducted over more than two centuries with figures from all over the world, in peacetime and in conflict. For the last six decades, these negotiations have taken place in the rarified environment of the Diplomatic Reception Rooms at the U.S. Department of State. Tucked inside the modern Truman Building in the center of Washington, D.C., lies this special suite of rooms transformed by four renowned architects—gems of classical architecture brimming with exceptional American art and artifacts that tell the story of the nation’s founding and represent the singular ideals of the American character.

Housing one of the finest collections in the world, along with the Metropolitan Museum of Art and Winterthur, these rooms display more than 5,000 objects, including paintings by John Singleton Copley and Gilbert Stuart; silver and porcelain owned by George Washington and other presidents; fine furniture; maps and documents; prints and drawings, not to mention the very desk the Treaty of Paris that ended the Revolutionary War was signed on.

With all-new photography and essays, this book captures the history of the rooms and explores more than 150 examples of the extraordinary American art that animates the exquisite spaces.

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Virginia B. Hart is director and curator of the Diplomatic Reception Rooms and Bri Brophy is deputy chief curator. The Honorable John F. Kerry is U.S. Special Presidential Envoy for Climate, and former U.S. Secretary of State. Allan Greenberg is an architect and author. Mark Alan Hewitt is an architect and architectural historian. Stacy Schiff is a Pulitzer-Prize-winning author. Elizabeth Mankin Kornhauser is the Senior Curator for the 2026 Bicentennial at Frederic Chruch's home Olana and Curator Emerita of American Paintings and Sculpture at the Metropolitan Museum of Art. Alice Cooney Frelinghuysen is the Anthony W. and Lulu C. Wang Curator of American Decorative Arts at the Metropolitan Museum of Art. Alexandra Alevizatos Kirtley is the Montgomery-Garvan Curator of American Decorative Arts at the Philadelphia Museum of Art. Elliot Bostwick Davis is Senior Editor, Harvard Social Impact Review, Arts and Culture and a former museum curator and director. Deborah Dependahl Waters is an independent decorative arts historian and part-time assistant professor at Parsons, New School University. David M. Rubenstein is a financier and philanthropist. Carolyn Vaughan is a writer and editor of art books and exhibition catalogues. Laaren Brown is a writer and editor for art and natural history topics. Durston Saylor is a photographer of contemporary interior design and architecture. Bruce M. White is a photographer of works of art and historic architecture. Sarah Gifford is an award-winning graphic designer.

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Mullen Books maintains a very active computerized inventory which grows by 2-300 titles per week. Our specialties include the Humanities, with an emphasis on Art, Architecture, Photography, Decorative Arts, History, as well as Periodicals related to those areas. We have very rare as well as fairly common titles. Current inventory is approximately 79,000 titles. We have about 1000' of backlog in our specialties numbering over 30,000 items (including 20,000+ smaller and ephemeral catalogues devoted to individual artist exhibitions). Current stock occupies over 2.3 miles of shelving. We are active buyers as well as very active sellers, and supply entire reference libraries as well as individual titles. We ship books almost everywhere, with the exception of China due to restrictions. Our website mullenbooks.com maintains our entire database of over 150,000 titles dynamically, so you can submit "wants" for books which are listed, but not currently in-stock. It is a major research tool. Despite what Google may indicate, we are only open to visitors by appointment, as our schedules are dynamic depending upon the needs of our valued employees.

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