American Legends (Paperback)
Idioma: inglés
Editorial: Createspace Independent Publishing Platform, 2014
- Tapa blanda
- Nuevo

Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
Vendedor de AbeBooks desde 29 de junio de 2022
Condición: Nuevo
EUR 15,60
Cantidad disponible: 1 disponibles
Añadir al carritoDescripción del artículo del vendedor
Paperback. *Includes pictures. *Includes Joplin's own quotes about her life and career. *Includes footnotes and a bibliography for further reading. "The more you live, the less you die." - Janis Joplin The life and career of Janis Joplin marks such a stark departure from the blues, rock and soul traditions as American society has come to know them that her brief and tempestuous career defies artistic analysis, if only because there is so little precedent aside from the great African-American blues and jazz singers that influenced her. For a woman born in 1943 and coming into her professional prime in the 1960s, Joplin stood as a mesmerizing and baffling foil to the female tradition in non-classical music, which had previously been symbolized by pure, mellow voices singing thoughtful texts. In the world of rock ensembles, women often stood near the back to play peripheral percussion instruments, such as the tambourine, and from time to time, they filled in a harmony or enjoyed a brief stint on the front of the stage. However, due to Joplin's belief that the mellow and refined tradition was not the way for her to go, the young firebrand with the conflicted past and personality opted for a complete, unrestrained expression of her deepest feelings. In the process, she both thrilled and frightened American audiences who had never seen her kind and never would again. The American music scene was entirely unprepared to witness the emergence of a white woman who could sing the blues with such authenticity, force, and depth of feeling. Dubbed by many as the "First Lady" or "Queen" of Rock & Roll, Joplin both invented and installed the "rock mama paradigm" into the American rock consciousness, a patriarchal and fraternal industry that, much like the societal traits it protested, restricted women to a narrow and conservative criteria for entrance. However, when Joplin was fully committed, she would have none of it, and in time she became "the middle class white girl who sang the blues" for her generation and the generation to come, releasing four powerful albums between the socially intense years of 1966-1970. With only a very few kindred spirits, such as Grace Slick of Jefferson Airplane, "she pioneered a new range of expression for white women." In Joplin's case, performing was a critical aspect of her popularity, but drugs and alcohol were central to her performances, which often found her under the influence of heroin and sipping from a whiskey bottle while playing before live crowds. Despite the dangerous mixtures, Joplin's performances became such a phenomenon that they turned her into an unlikely sex symbol, something she had a hard time understanding and often joked about ("Guess what, I might be the first hippie pinup girl."). Nonetheless, she could pull it off because her "blues-soaked voice.was matched by her uninhibited physical movements.in a mesmerizing display of soulfulness few thought a white singer could pull off." At the height of her powers, before crippling addictions eventually overwhelmed her, her Monterey and Woodstock appearances are "considered by many specialists.to have been classic moments in the history of rock" Of course, for all the mention of Joplin's career, there is nearly as much focus on her untimely death at the age of 27, particularly because she died just a few weeks after Jimi Hendrix's death at the age of 27 and was followed in death by Jim Morrison at the age of 27 less than a year later. Those three all died as a result of alcohol and drug abuse, and they formed the starting point for the legendary "27 Club", which memorializes rock stars who died at the age of 27. American Legends: The Life of Janis Joplin examines the life and career of one of America's most famous musicians. Along with pictures of important people, Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…
N° de ref. del artículo 9781499339895
- Título
- American Legends (Paperback)
- Autor
- Charles River
- Editorial
- Createspace Independent Publishing Platform
- Año de publicación
- 2014
- Estado
- new
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 1499339895
- ISBN 13
- 9781499339895
*Includes Joplin's own quotes about her life and career.
*Includes footnotes and a bibliography for further reading.
"The more you live, the less you die.” – Janis Joplin
The life and career of Janis Joplin marks such a stark departure from the blues, rock and soul traditions as American society has come to know them that her brief and tempestuous career defies artistic analysis, if only because there is so little precedent aside from the great African-American blues and jazz singers that influenced her. For a woman born in 1943 and coming into her professional prime in the 1960s, Joplin stood as a mesmerizing and baffling foil to the female tradition in non-classical music, which had previously been symbolized by pure, mellow voices singing thoughtful texts. In the world of rock ensembles, women often stood near the back to play peripheral percussion instruments, such as the tambourine, and from time to time, they filled in a harmony or enjoyed a brief stint on the front of the stage. However, due to Joplin’s belief that the mellow and refined tradition was not the way for her to go, the young firebrand with the conflicted past and personality opted for a complete, unrestrained expression of her deepest feelings. In the process, she both thrilled and frightened American audiences who had never seen her kind and never would again. The American music scene was entirely unprepared to witness the emergence of a white woman who could sing the blues with such authenticity, force, and depth of feeling.
Dubbed by many as the “First Lady” or “Queen” of Rock & Roll, Joplin both invented and installed the “rock mama paradigm” into the American rock consciousness, a patriarchal and fraternal industry that, much like the societal traits it protested, restricted women to a narrow and conservative criteria for entrance. However, when Joplin was fully committed, she would have none of it, and in time she became “the middle class white girl who sang the blues” for her generation and the generation to come, releasing four powerful albums between the socially intense years of 1966-1970. With only a very few kindred spirits, such as Grace Slick of Jefferson Airplane, “she pioneered a new range of expression for white women.”
In Joplin’s case, performing was a critical aspect of her popularity, but drugs and alcohol were central to her performances, which often found her under the influence of heroin and sipping from a whiskey bottle while playing before live crowds. Despite the dangerous mixtures, Joplin’s performances became such a phenomenon that they turned her into an unlikely sex symbol, something she had a hard time understanding and often joked about (“Guess what, I might be the first hippie pinup girl.”). Nonetheless, she could pull it off because her “blues-soaked voice…was matched by her uninhibited physical movements…in a mesmerizing display of soulfulness few thought a white singer could pull off.” At the height of her powers, before crippling addictions eventually overwhelmed her, her Monterey and Woodstock appearances are “considered by many specialists…to have been classic moments in the history of rock”
Of course, for all the mention of Joplin’s career, there is nearly as much focus on her untimely death at the age of 27, particularly because she died just a few weeks after Jimi Hendrix’s death at the age of 27 and was followed in death by Jim Morrison at the age of 27 less than a year later. Those three all died as a result of alcohol and drug abuse, and they formed the starting point for the legendary “27 Club”, which memorializes rock stars who died at the age of 27.
American Legends: The Life of Janis Joplin examines the life and career of one of America’s most famous musicians. Along with pictures of important people, places, and events, you will learn about Janis Joplin like never before, in no time at all.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
*Includes Joplin's own quotes about her life and career.
*Includes footnotes and a bibliography for further reading.
"The more you live, the less you die.” – Janis Joplin
The life and career of Janis Joplin marks such a stark departure from the blues, rock and soul traditions as American society has come to know them that her brief and tempestuous career defies artistic analysis, if only because there is so little precedent aside from the great African-American blues and jazz singers that influenced her. For a woman born in 1943 and coming into her professional prime in the 1960s, Joplin stood as a mesmerizing and baffling foil to the female tradition in non-classical music, which had previously been symbolized by pure, mellow voices singing thoughtful texts. In the world of rock ensembles, women often stood near the back to play peripheral percussion instruments, such as the tambourine, and from time to time, they filled in a harmony or enjoyed a brief stint on the front of the stage. However, due to Joplin’s belief that the mellow and refined tradition was not the way for her to go, the young firebrand with the conflicted past and personality opted for a complete, unrestrained expression of her deepest feelings. In the process, she both thrilled and frightened American audiences who had never seen her kind and never would again. The American music scene was entirely unprepared to witness the emergence of a white woman who could sing the blues with such authenticity, force, and depth of feeling.
Dubbed by many as the “First Lady” or “Queen” of Rock & Roll, Joplin both invented and installed the “rock mama paradigm” into the American rock consciousness, a patriarchal and fraternal industry that, much like the societal traits it protested, restricted women to a narrow and conservative criteria for entrance. However, when Joplin was fully committed, she would have none of it, and in time she became “the middle class white girl who sang the blues” for her generation and the generation to come, releasing four powerful albums between the socially intense years of 1966-1970. With only a very few kindred spirits, such as Grace Slick of Jefferson Airplane, “she pioneered a new range of expression for white women.”
In Joplin’s case, performing was a critical aspect of her popularity, but drugs and alcohol were central to her performances, which often found her under the influence of heroin and sipping from a whiskey bottle while playing before live crowds. Despite the dangerous mixtures, Joplin’s performances became such a phenomenon that they turned her into an unlikely sex symbol, something she had a hard time understanding and often joked about (“Guess what, I might be the first hippie pinup girl.”). Nonetheless, she could pull it off because her “blues-soaked voice...was matched by her uninhibited physical movements...in a mesmerizing display of soulfulness few thought a white singer could pull off.” At the height of her powers, before crippling addictions eventually overwhelmed her, her Monterey and Woodstock appearances are “considered by many specialists...to have been classic moments in the history of rock”
Of course, for all the mention of Joplin’s career, there is nearly as much focus on her untimely death at the age of 27, particularly because she died just a few weeks after Jimi Hendrix’s death at the age of 27 and was followed in death by Jim Morrison at the age of 27 less than a year later. Those three all died as a result of alcohol and drug abuse, and they formed the starting point for the legendary “27 Club”, which memorializes rock stars who died at the age of 27.
American Legends: The Life of Janis Joplin examines the life and career of one of America’s most famous musicians. Along with pictures of important people, places, and events, you will learn about Janis Joplin like never before, in no time at all.
“Acerca de” puede pertenecer a otra edición de este título.
CitiRetail
Stevenage, Reino Unido
Vendedor de AbeBooks desde 29 de junio de 2022
Tarifas de envío de Reino Unido a Estados Unidos de America
| Artículo | De 7 a 14 días hábiles | De 7 a 60 días hábiles |
|---|---|---|
| Primer artículo | EUR 43,15 | EUR 43,15 |
Métodos de pago
Descripción de la tienda
Online business
Información empresarial del vendedor
ABC BOOKS LIMITED
10 John Street
London, Reino Unido WC1N 2EB
Condiciones de venta
Orders can be returned within 30 days of receipt.
Derecho al desistimiento
Si es un consumidor, puede rescindir el contrato de acuerdo con lo siguiente. Por consumidor se entiende cualquier persona física que actúe con fines ajenos a su actividad comercial, empresarial, oficio o profesión.
Información sobre el derecho de desistimiento
Derecho legal de desistimiento
Tiene derecho a rescindir este contrato en un plazo de 14 días sin dar ningún motivo.
El periodo de desistimiento vencerá a los 14 días desde que usted, o un tercero que no sea el transportista e indicado por usted, adquiera la posesión física del último bien o del último lote o pieza.
Para ejercer el derecho de desistimiento, complete de forma electrónica y envíe una declaración clara en nuestro sitio web, desde "Mis compras" en "Mi cuenta". Le enviaremos sin demora un acuse de recibo de dicho desistimiento a través de un soporte duradero (por ejemplo, por correo electrónico).
Para cumplir con el plazo de desistimiento, basta con que envíe su comunicación relativa al ejercicio del derecho de desistimiento antes de que venza el periodo de desistimiento.
Efectos del desistimiento
Si rescinde este contrato, le reembolsaremos todos los pagos que hayamos recibido de usted, incluidos los gastos de envío (excepto los gastos adicionales que surjan si elige un tipo de envío que no sea el tipo de envío estándar más económico que ofrecemos).
Podemos hacer una deducción del reembolso por la pérdida de valor de cualquier bien suministrado, si la pérdida es el resultado de una manipulación innecesaria por su parte.
Efectuaremos el reembolso sin demoras indebidas y, a más tardar, 14 días después de que se nos informe de su decisión de rescindir este contrato.
Efectuaremos el reembolso utilizando el mismo medio de pago que utilizó para la transacción inicial, a menos que haya acordado expresamente lo contrario; en cualquier caso, no incurrirá en ningún cargo como resultado de dicho reembolso.
Podremos retener el reembolso hasta que hayamos recibido los bienes o hasta que nos haya presentado una prueba de que los ha devuelto, lo que ocurra primero.
Deberá devolver los bienes o entregarlos a CitiRetail, Stevenage, United Kingdom, sin demoras indebidas y, en cualquier caso, en un plazo máximo de 14 días a partir del día en que nos comunique su desistimiento del presente contrato. El plazo se cumple si devuelve la mercancía antes de que venza el periodo de 14 días. Tendrá que asumir los gastos directos de devolución de los bienes. Usted solo es responsable de la disminución del valor de los bienes como resultado de una manipulación distinta a la necesaria para establecer la naturaleza, las características y el funcionamiento de los bienes.
Excepciones al derecho de desistimiento
El derecho de desistimiento no se aplica a lo siguiente:
- La entrega de periódicos, diarios o revistas, con la excepción de los contratos de suscripción; y
- El suministro de contenido digital que no se proporcione en un soporte tangible (por ejemplo, en un CD o DVD) si, al hacer el pedido, aceptó que podíamos empezar a entregarlo y que no podría desistir una vez iniciada la entrega.
Condiciones de envío
Please note that titles are dispatched from our US, Canadian or Australian warehouses. Delivery times specified in shipping terms. Orders ship within 2 business days. Delivery to your door then takes 7-14 days.