Yet Again (Edition2024). Este artículo no está disponible.Yet Again (Edition2024)

Yet Again by Max Beerbohm is a collection of essays that blends sharp wit, humor, and insightful social commentary. Through these essays, Beerbohm examines the peculiarities and absurdities of modern life, often highlighting the contradictions and ironies that shape human behavior. In Seeing People Off, he reflects on the discomfort of goodbyes, while in A Club in Ruins, he explores the odd fascination with decaying buildings. In Ichabod, he humorously questions his own trivial concerns, like the removal of labels from his luggage. Other essays delve into societal observations, such as the surprising lack of eloquence in members of the British Parliament in The House of Commons Manner and the more compelling entertainment found in the courtroom than in the theatre in Dulcedo Judiciorum. Along with these, Beerbohm includes a section of imaginative essays inspired by famous works of art. With his signature irony and erudition, Yet Again offers a delightful exploration of human nature, social conventions, and the humorous contradictions of everyday life.

Sir Henry Maximilian Beerbohm (1872-1956), known as Max Beerbohm, was an influential English essayist, parodist, and caricaturist. He gained prominence in the 1890s for his wit, humor, and satirical commentary on society. Beerbohm worked as the drama critic for The Saturday Review from 1898 to 1910 before relocating to Rapallo, Italy, where he lived for the remainder of his life. He also became known for his occasional radio broadcasts in his later years. Beerbohm's most famous work is Zuleika Dobson (1911), a satirical novel about university life. He was also renowned for his caricatures of public figures, which are held in many major collections. Born in London, Beerbohm was the youngest of nine children. His father, Julius Ewald Edward Beerbohm, was a Lithuanian-born grain merchant, and his mother, Eliza Draper Beerbohm, came from a distinguished family. Among his other notable works are The Works of Max Beerbohm (1896), A Defence of Cosmetics (1896), The Happy Hypocrite (1897), More (1899), and Yet Again (1909). His legacy endures as one of the leading satirists of his era.