Afterimage. A Publication of the Visual Studies Workshop. Volume 7, numbers 3, 4, 5, 6, 7, 9, 10. (7 issues in total)

Descripción

Volume 7. Number 3. October 1979. 24 pages. Summary: Camden conference looks at "The Published Photograph" by Elizabeth Lindquist-Cock; Arles 79: Ten years of "Les rencontres internationales" by Estelle Jussim ; A Flaherty celebration by Marita Sturken; Film and video in the Whitney Biennial by Deirdre Boyle; "Attitudes": Surveying the 70s by Hal Fischer . CORRESPONDENTS: New Mexico: Work by women "outside the mainstream" by Meridel Rubenstein; Washington: Photography at the Corcoran by James Casse. REVIEWS: Light Reading and Photography & Fascination(reviewed by James Kaufmann); 'The Champion Pig (reviewed by Maren Stange); Jerry McMillan(reviewed by James Hugunin). Number 4. November 1979. 20 pages. Summary: Center Builds a Photography Archive in Tucson by Jan Zita Grover; CAPS Videotapes: Wegman, Kolpan, Hocking, Hill, Lucier; Jack Fulton's Puns and Anagrammatic Photographs by Van Deren Coke; The Rigors of Business: Mathew Brady's Photography in Political Perspective by Jennifer Todd. REVIEWS. 1O NEWS. Living in L.A. by James Hugunin; A Yank at Oxford by David Reed. Number 5. December 1979. 20 pages. Summary: Siskind honored at Northeast SPE by David Trend; In New Haven, art meets sociology by Catherine Lord; American Studies conference: Lots of smoke, some fire by James Kaufmann; Linda Connor: Solos and landscapes. Reviews by Dana Asbury and James Hugunin; Film und Foto, 1929: Towards a language of silent film by Jan-Christopher Horak; Jane Wenger: The dialectics of sexuality by Carole Harme. REVIEWS: Alfredthe Great? by David L. Jacobs; From formal to family by Anthony Bannon; Nevadaby Sally Eauclaire; Heroic journey by Jeanne Riley Forstenzer. Number 6. January 1980. 20 pages. Summary: NEA announces photography fellowships for 1980 by Charles Hagen; Whitney film conference: back to the beginning by Scott MacDonald; Edward Steichen: always modern, always traditional by Anthony Bannon; Women and photography: some thoughts on assembling an exhibition by Catherine Lord; Art between the covers by Adam Weinberg; New electronic technology: and for whom by Peter Mitchell; Doherty resigns as Eastman House director by Charles Hagen. Number 7. February 1980. Summary: It was video, video, video at Athens Festival by Deidre Boyle; James Byrne's video environments by Marie Cieri; Rachel Youdelman: a pleasant sense of ennui by James Hugunin; An interview with Robert Huot by Scott MacDonald. REVIEWS: Brassai's Paris by David Reed; Art and Commerce by Terence R. Pitts. Number 9. April 1980. 24 pages. Summary: Media independents push for access by Marita Sturken; Filmmaker's expo: animation, documentaries shine by Scott MacDonald; Photographs and time by Charles Hagen; Cameras can't see: representation, photography and human vision by Marx Wartofsky; Reflections on art in photography by Alan Trachtenberg; Jenny Wrenn: the photograph as imprint by James Hugunin. REVIEWS:The academy by Andy Grundberg; A capital decade by Marguerite Welch; Space invaders by Michael Costello. CORRESPONDENTS. Chicago: Barbara Karant's elegant interiors; Jerry Uelsmann's recent work by Carole Harmel. Number 10. May 1980. 24 pages. Summary: SPE buckles down in the Borscht Belt by Catherine Lord; Film tribe powwows at anthro conference by Marita Sturken; Ugo Mulas: Verifications by Ulrich Keller (article covering 8 pages); REVIEWS Variable vision by David Reed. NEWS NOTES. ICP: Color is the subject by Judith Gerber; 22 RIT: but for how long? by Cindy Furlong. - all first editions and in fine condition.

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Detalles bibliográficos

Título

Afterimage. A Publication of the Visual Studies Workshop. Volume 7, numbers 3, 4, 5, 6, 7, 9, 10. (7 issues in total)

Editor

The Visual Studies Workshop, Rochester

Fecha de publicación

1979

Idioma

Inglés

Encuadernación

Soft cover

Estado

Fine