African American Performance and Theater History: A Critical Reader. Este artículo no está disponible.African American Performance and Theater History: A Critical Reader

African-American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theatre, and performance in America. Assembled by two of the most respected and prolific scholars in black theater and composed of essays from acknowledged authorities in the field (Joe Roach and Genevieve Fabre, among others), this volume is organized into four sections representative of the ways black theatre, drama, and performance past and present interact and enact continuous social, cultural, and political dialogues. The premise behind the book is that analysing African-American theatre and performance traditions offers insight into how race has operated and continues to operate in American society. The only one-volume collection of its kind, this volume is likely to become the central reference for those studying black theatre.

Harry J. Elam, Jr. is Christensen Professor for the Humanities, Director of the Introduction to the Humanities, Director of Graduate Studies for Drama, and Director of the Committee on Black Performing Arts at Stanford University. David Krasner is Director of Undergraduate Theater Studies at Yale University, where he teaches theatre history, acting, and directing. His book, Resistance, Parody, and Double Consciousness in African-American Theatre 1895-1910, won the Errol Hill award from ASTR.