Adventure Narratives in the Early Soviet Union. Este artículo no está disponible.
Idioma: inglés
Editorial: Academic Studies Press, 2024
- Tapa dura
- Nuevo



Librería: preigu, Osnabrück, Alemaniapreigu
Vendedor de AbeBooks desde 5 de agosto de 2024
Condición: Nuevo
EUR 147,95
Descripción del artículo del vendedor
Adventure Narratives in the Early Soviet Union | Riccardo Nicolosi (u. a.) | Buch | Englisch | 2024 | Academic Studies Press | EAN 9798887196312 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
N° de ref. del artículo 129516639
- Título
- Adventure Narratives in the Early Soviet Union
- Autor
- Riccardo Nicolosi (u. a.)
- Editorial
- Academic Studies Press
- Año de publicación
- 2024
- Estado
- Neu
- Encuadernación
- Buch
- Idioma
- inglés
- ISBN 13
- 9798887196312
- Peso del artículo
- 567 gramos
- Dimensiones
- 240 x 161 x 19 mm
- Catálogos de vendedores
- Bücher
The book proposes a critical historical reconstruction of early Soviet adventure-craze and its lasting popularity in socialist realism. It also offers innovative theoretical propositions for a philological analysis of adventure fiction that arises from this unique historical constellation.
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Acerca del autor
Riccardo Nicolosi is full Professor of Slavic Literatures at LMU Munich. His research focuses on the literatures and cultures of Russia and the Soviet Union and South Eastern Europe from the eighteenth to twenty-first centuries. His latest publications, which explore the rhetorical and narrative interfaces between literature and science, include: Degeneration. Literature and Psychiatry in Late 19th Century Russian Culture (in Russian, 2019); and Born to Be Criminal. The Discourse on Criminality and the Practice of Punishment in Late Imperial Russia and Early Soviet Union, edited with Anne Hartmann (2017).
Brigitte Obermayr is full Professor of East Slavic Literatures and Cultures at Potsdam University. Her research focuses on the literatures and cultures of Russia and the Soviet Union from twentieth to twenty-first centuries: avantgarde, theory of literature and culture, unofficial late Soviet literature and culture, and the political in literary discourse. She is editor of Dmitrii Prigov’s lyric oeuvre (facsimile edition, forthcoming), and her recent publications include the monograph Datumskunst. Datierte Zeit zwischen Gegebenem und Möglichkeit (2022) and the anthology Phänomenologische und empirische Kunstwissenschaften in der frühen Sowjetunion, co-edited with Aage A. Hansen-Löve.
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