used hardcover in a dust jacket. Hinge is a bit weird, but not loose or broken. Overall, jacket is a bit worn about the edges and somewhat scuffed, but without any serious tears. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

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Detalles bibliogr�ficos

T�tulo

Absence and Memory in Colonial American Theatre: Fiorelli's Plaster (Palgrave Studies in Theatre and Performance History)

Editor

Palgrave Macmillan June 2006

Fecha de publicaci�n

2006

Idioma

Ingl�s

ISBN 10

1403971005

ISBN 13

9781403971005

Encuadernaci�n

Hardcover

Estado

VG-

Estado de la sobrecubierta

Very Good

Cat�logos de vendedores

THEATER (studies)

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Sinopsis

In the case of colonial theater in America, much of what we know about performance has come from the detractors of theater and not its producers: anti-theatrical legislation, sermons, petitions, and prohibitions against the theater, all of which have resulted in a history told as a contest of Puritan and Player. Yet such a narrative hardly accounts for the flourishing theatrical circuit established between 1760 and 1776 (nineteen theatres in seven colonies and the Anglophone Caribbean). This study explores the culture’s social support of the theater in the material evidence it left behind as well as the immaterial evidence: the culture’s memory of theater, and its enormous desire for it.

Acerca del autor

ODAI JOHNSON is an Associate Professor at the University of Washington's School of Drama, USA. He is the author of Rehearsing the Revolution, co-author of The Colonial American Stage, a Documentary Calendar, and numerous articles on the American theatre.

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