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Sinopsis

A darkly funny 1991 road novel about two actors touring a stripped-down Huckleberry Finn through a hostile America - publishing during Banned Books Week, in the year of America's Semiquincentennial, and the 150th anniversary of Tom Sawyer.

Axel Emerson isn't chasing a dream - he's running from a body. After the sudden death of his estranged father, and the detective's calls that follow, a washed-up casting agent offers him an exit: tour the schools as Huck Finn in a stripped-down, two-man stage version of the American classic. It's 1991, and the country is cracking open.

His co-star is Moses Morton, a fifty-five-year-old Black actor cast as Jim - and from the first moment, Moses sees straight through him. Their road trip through hostile American towns becomes a crash course in race, history, and performative ignorance, recited from lines a white man wrote in 1884 about a country that hasn't changed as much as it thinks. When performance and reality finally collide, there's no script left to hide behind.

A Publishers Weekly Booklife Editors Pick, Huckleberry Jim is a reckoning with race, guilt, and the bedtime stories America tells itself to sleep at night. For readers of Percival Everett's James and Paul Beatty's The Sellout.

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Acerca del autor

Adam Nelson has lived at the intersection of performance and American storytelling for more than three decades - as an actor, filmmaker, and founder of Workhouse, the New York public relations agency he has run since 1999, representing filmmakers, artists, and cultural institutions. A professor at the New Jersey Film Academy, he is a merit winner of the Writer's Digest International Screenplay Competition. His debut novel, Huckleberry Jim - a BookLife Editor's Pick, longlisted for The Masters Review Novel Excerpt Prize in the top 3% of submissions - draws on his own 1991 tour performing a two-man Huckleberry Finn for schools across the Northeast. It publishes October 6, 2026, during Banned Books Week, with the audiobook simultaneously from Blackstone Publishing.

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